ReasonForOurHope

Showing posts with label Fixing Movies. Show all posts
Showing posts with label Fixing Movies. Show all posts

Friday, June 23, 2023

Fixing the DCEU

 

While I loved The Flash, it cannot be denied that the movie is a bomb.  Thus the great experiment known as the DC Extended Universe ends with a whimper, not a bang.  

This is a shame because some of my favorite comic book movies are part of this cinematic universe?

So what went wrong?

There are many issues at play, that I will not be able to go into detail here.  Much of it involves the mismanagement of the entire course of the cinematic universe at the executive level.  

Hindsight is always 20/20, but here are my thoughts on what could have been done to make this franchise successful.

1 SLOW DOWN

The biggest problem with the DCEU was the lack of patience on the part of the executives (much of which is tied to their desire for bonuses).  In 2012, Marvel's gamble of establishing a cinematic universe paid off big-time with The Avengers.  In 2013, Man of Steel started the DCEU.

The original plan involved following up Man of Steel with a solo Batman movie, a Wonder Woman movie, a Flash movie, a sequel to Man of Steel and then part one of Justice League which would culminate in "The Death of Superman" storyline.  

Needless to say that this would take several years.  Warner Bros. became impatient and instead abbreviated the schedule.  After Man of Steel, Warner Bros. told Snyder to make Batman v. Superman and Justice League  back to back.  In between there would be a movie about Wonder Woman (who would be introduced in BvS). This would be followed-up by Suicide Squad.

This caused a lot of pressure on the next two movies.  Unlike Avengers, the main heroes did not get their own solo movies to introduce them.  As a result, both BvS and Justice League became overstuffed.  While I didn't mind it in BvS, many audience members did.  BvS was not the runaway hit the way Warner Bros. wanted, but they were already fully into production on Justice League.  

DC is always accused of trying to mimic Marvel, and to some extent that is true.  But if they had followed their blueprint more closely, they could have avoided a great deal of trouble.  The Dark Knight Trilogy and The Batman have shown that solo Batman movies tend to be very profitable.  If DC had allowed Ben Affleck to star in his own Batman film, it could have built up anticipation for BvS.  This, along with a few more solo hero movies would have relieved some of the character pressure off of Justice League.  This would have let audiences enjoy it more than they did.

DC acutally did not learn their lesson as they pushed on.  In Black Adam, Dwayne Johnson not only tried to establish himself as the center of the DCEU, but he wanted to set up the entire Justice Society: Hawkman, Dr. Fate, Cyclone, and Atom Smasher.


2. Curate the Line    

DC got very experimental very quickly.  Their fourth movie was Suicide Squad, a movie about expendable villains forced to be heroes.  It is clear that they were going for a Guardians of the Galaxy vibe.  But DC forgot that this was only after Marvel had established its brand already with nine previous films.  And it is often forgotten what a gamble Guardians was.  Marvel was hedging its bets by opening it in August.  Now, it turned out that James Gunn struck gold, but that was not a guarantee.

DC started experimenting too quickly.  As mentioned before, there needed to be more build-up to Justice League.  Focusing on the DC A-Team would have laid a solid foundation.  The two highest domestic grossing DCEU films are Wonder Woman and Aquaman.  If instead of Suicide Squad, they had focused on the Justice League members, it could have built up the hype.  

On top of this, DC went forward with Birds of Prey and The Suicide Squad.  And while the latter was critically praised while the former was critically panned, I believe that both did damage to the brand.  Birds of Prey was just a horrid piece of cinema.  But The Suicide Squad was so horridly disgusting in its presentation and its morals that it killed off a lot of good will.  Look, there is something to be said about swinging for the fences, but when you announce to your audience that it is no longer for younger audiences, then people will stay away.  All of the DC films after The Suicide Squad disappointed.

3. Too Much Fracturing

Instead of focusing on the DCEU, Warner Bros. got desperate to use the DC properties in some way.  After Wonder Woman, the highest grossing DC films were not part of the DCEU: The Batman and Joker.  To be sure, they are both excellent movies.  But divorcing them from the DCEU does two things.

The first is that it creates brand confusion.  People who loved those non-Extended Universe movies may not understand why these characters aren't in the DCEU.

The second is that the success of these movies could not translate to success for the DCEU.  One of the reasons that movies like Captain Marvel did so well was because it was tied to the uber-successful Avengers movies.  If DC was able to do that, things may have been different.

Thoughts?

Friday, November 18, 2022

Film Review: Spirited (AppleTV)

 


Sexuality/Nudity Mature
Violence Acceptable
Vulgarity Acceptable

Anti-Catholic Philosophy Acceptable

There have dozens of variations on Charles Dickens’ A Christmas Carol.  Some are more successful than others.  In recent decades, the only ones that have made a lasting impact are Scrooged and A Muppets Christmas Carol.  

But Spirited is looking to change that.

What is so strange about this movie is that it unintentionally a great metaphor for spiritual ministry.

The movie begins on Christmas.  The Ghost of Christmas Past (Sunita Mani), Present (Will Ferrell), and Future (voice of Tracy Morgan) have just completed another successful night of saving a miserable and miserly soul.  But in the aftermath, Present is pensive.  He is offered “retirement” from his job, but he still feels like he wants to make a difference.  As the group scouts their next potential soul to save, the come across Clint Briggs (Ryan Reynolds), a consultant who is so openly amoral that his audacity is matched only by his deviousness.  Present thinks that if Clint’s soul is changed, then this could have a major impact on the world.  To make matters more complicated, while doing their research on Clint, Present starts to fall for his assistant Kimberly (Octavia Spencer).  When the Christmas haunting begins, nothing goes as planned as Clint refuses to play along with any of the deep emotional catharsis that the ghosts have planned, much to Present’s chagrin.  As the movie progresses, Clint pushes Present even more so that you begin to wonder who is the one who will end up changed by the end: Present or Clint.

And by the way, the whole thing is a musical.

My major critique of the film would regard some of the content.  With Reynolds and Ferrell, we have two comedians who often work very blue material.  As a result, there is a lot of cheeky content that isn’t exactly R-Rated, but skirts a line.  I have no problem with mature content, but I find it very limiting in a movie like this, which should have a much broader appeal.  I wouldn’t feel comfortable showing this movie to anyone younger than 13.  The Ghost of Christmas Past is particularly off-putting as she lusts after Clint throughout.  

Now some people may be uncomfortable by the deep strain of cynicism that runs throughout the film, but I think that this is essential to making the movie work.  Clint doggedly refuses to look into his own soul and he equivocates all of his actions, constantly turning the tables back to Present.  Clint makes Present even question the concept of redemption and even tempts him into giving in to his baser urges.  This is frustrating, but also creates the tension with actual stakes.  As the movie goes on, you really do not know whether or not it will have a happy ending.  I found myself turned in knots at the possibility of leaving the theater completely deflated, but as a result I was totally invested in the events as they were unfolding.

Ferrell is great as Present.  He has an optimism that is tinged with fear.  He hopes, but he acts the way that he thinks he’s expected instead of the way he feels.  His chemistry with Spencer and Reynolds hold the movie together.  But it is Reynolds who steals the show.  It could be argued that he is simply doing his standard “Ryan Reynolds” character: charming and naughty at the same time.  And to that extent it is true.  But his charisma draws you in when you should be utterly repulsed.  He is seductive, not in a sexual way, but in making his horrible world-view sound practical and palatable.  The writing helps out a great deal here by having his Clint push you to question your own concepts of good and bad.  A line that sticks with me is when he questions the possibility of real redemption by saying, “Anyone can be good for three and a half weeks.”

It also helps that this movie goes all in as a musical.  It is packed with show-stopping numbers with amazing choreography and enjoyable music.  Ferrell and Reynolds are able to sing their way through the numbers, but Spencer is the one whose voice really stays with you.  The movie has some really nice and moving ballads as well as toe-tapping crowd-pleasers.  The style reminds me of The Greatest Showman but it never quite matches that level.

As I mentioned earlier, this movie is unintentionally a metaphor about spiritual ministry.  I say unintentionally, because the movie tries desperately to avoid anything that is traditionally Christian.  The sexual morality is very loose and there are lines about turning the whole operation Present a non-denominational affair.

But whether they meant to or not, this movie strikes a chord for anyone who has participated in the work of saving souls.  Most of us a zealous about our ministry because we have experienced something deeply personal, cathartic, and life-changing.  We want other people to have that experience too.  We work hard to create these deeply moving, often emotional moments for them to experience, either on retreat or in the classroom or in any other number of situations.

And when they don’t react the way we want… we get frustrated.  Present is constantly getting stressed because Clint refuses to open his heart in the way that Present plans.  Whether I want to or not, I cannot help but relate.  We ministers work hard on these experiences and it feels so upsetting when they fail to make an impact.  But herein is an important lesson: ministry is not a one-size-fits-all situation.  What works for one person may not work for another.  Clint’s resistance forces Present to acknowledge this reality.

The only time real progress seems to be made is when Present opens himself up and makes himself vulnerable to Clint.  About halfway through the movie, Present reveals a secret to Clint that really changes things for both of them.  Too often ministers set themselves up above the ones to whom they are ministering: they are the enlightened ones who offer redemption.  But Clint forces Present to understand that even though he is Christmas ghost, he is not a saint.  He is a man with normal wants and normal flaws.  By standing above Clint, they never connect.  But it is only in walking with Clint and really befriending him that any hope can be found.

Ministry is walking with people, being a part of their lives.  Yes, you hope to make their lives better, but you have to let them make your life better too.  When Present sees the value that Clint has for his life, new worlds open up.

The movie also makes clear that redemption is not a one-time event.  I cannot tell you how many times I have put on retreats with people who have deeply emotional experiences.  Their lives change… for a few weeks.  And the experiences of everyday life pulls them back to their old ways like gravity.  Redemption isn’t a single moment of conversion, but making the choice every day to be better.  The movie could be implying that we only have to be a little bit better than we were before and that is enough.  If that is the case, I would reject that theme.  We are called to be saints.  If the movie is implying that saintliness involves the slow walk up the road to righteousness, then I am completely on board.

I may be reading more into Spirited than I should.  But because of that resonance with my life, it struck a chord in me.  And it might just do the same for you.


Sunday, January 6, 2019

Sunday Worst: Bizarro Awards 2018

My good friend the Doctor said that I should do a parallel list to my Kal-El Awards that reflect to worst in pop culture from the year.  He suggested that I call them the "Lenny Luthors" after the horrible Jon Cryer character from Superman IV: The Quest for Peace.  The rational for choosing Lenny was that "he is terrible in every way that Superman is awesome."

I liked the idea, but I thought instead of Lenny Luthor we would name the awards after the true opposite of Superman:

Bizarro.


Bizarro is the anti-Superman, literally.  He even maintains speech patterns that are the opposite of what he means.  "Good-bye, me am not Bizarro.  Me like you!  Live!"  said by Bizarro actually means "Hello, I am Bizarro.  I hate you! Die!"

So since Superman is my mark of excellence.  Bizarro will be my mark of utter awfulness.   Unlike the Kal-El awards, these will be focused only on movies.  The reason is that serialized work like television and comics require a longer time commitment in order to understand the material.  You may have to watch a show or read a comic for several months before you discover if it is truly bad or good.  It took me a few episodes to understand the logic behind Vincent D'Onofrio's performance in Daredevil.  The investment of time and/or money also precludes a lot of unnecessary sampling, so my exposure to bad material is a bit less.

With a movie, you can have a complete understanding of the product after 90-180 minutes

There will be 2 new categories that I will add:

-Worst TV Show I Stopped Watching
-Worst TV Show I Still Watch

In both of these cases I will be giving my critical condemnation of shows about which I have some significant experience and thus have a basis for calling them critical failures


So now, here are the Bizarro Awards for movies this past year.  (based on the movies I have seen).


WORST MOVIE

A Simple Favor

To say that I hated this movie is an understatement.

This movie is a failure at almost every level.  It is a cynical piece of garbage that I feel has made my life slightly worse by the experience of it.  It does not work as mystery.  It does not work as drama.  It does not work as comedy.  It is so expressly and directly opposed to anything resembling common decency and good film-making that I can't help but believe that this was its intention all along: to make something trashy.  Movies like this reflect a worldview in the film-makers that disturbs me deeply.  What makes it even more infuriating is the smug sense of superiority that radiates out of this horrid film.  It is condescending while it is itself so lowly that it can only sneer at its betters.  Avoid at all cost!

TOP TEN WORST MOVIES
10. Ocean's 8
9. Tag
8. A Wrinkle in Time
7.  Skyscraper
6.  Welcome to Marwen
5.  A Star is Born
4.  Mamma Mia! Here We Go Again
3.  Life of the Party
2.  Life Itself
1.  A Simple Favor

WORST ACTOR

Pierce Brosnan- Mamma Mia! Here We Go Again


Brosnan is a very good actor.  But this performance is so phoned-in that I'm surprised it wasn't outsourced to customer service.  He walks around the set delivering his lines as if he is doing the read through for the first time.  At least Colin Firth and Stellan Skaarsgaard look like they are having a silly good time with the script, but Brosnan looks so bored by it all.

WORST ACTRESS

Melissa McCarthy- Life of the Party

If you give McCarthy the right material, she can make it soar to comedy gold.  But this movie does the opposite.  It trusts McCarthy to lead the comedy instead of leading the comedy to McCarthy.  It is a subtle difference, but important.  In this movie she is outrageous without being humorous.  She is sincere without being endearing.  And in a movie that depends completely on the personality of the lead, this was a fatal mistake.

WORST DIRECTOR

Paul Feig - A Simple Favor

From my review of A Simple Favor:

Feig fails at every level to tell a good story.  He wants to say something about powerful, empowered women, but it comes off as so completely uninspired.  When Stephanie first enters Emily's house there is a nude painting of Emily hanging that thrusts her genitals towards the viewer's face as if Feig is trying to make some super awkward "girl power" statement.

Feig also fails at making anything out of the mystery of Emily's disappearance.  In fact, he reveals the truth way too early.  The denouement tries to copy the movie Gone Girl, but fails at that too.  The final confrontation is intent on making shocking twists and turns that it defies all logic.  If you ever watched the show Community, they did an episode where characters kept pulling out guns in a parody of twists on top of twists.  It worked on the show because they were doing comedy.  It fails in the movie because you are supposed to take it seriously.  And the ultimate take down of the villain is something out of a Will Ferrel movie and has no place in anything we've seen before.

WORST SCREENPLAY

A Simple Favor

Nothing in this script makes any logical sense.  The characters are not only completely shallow, but their motivations lack any clear rational.  When they turn on a dime, it is less shocking than it is annoying as we wait for the next >gasp< twist that our simple, plebeian minds did not see coming from the genius of this screenplay. 


MOST ANTI-CHRISTIAN MOVIE

A Simple Favor

This dishonor is not very enthusiastically given in that the movie did not seek to actively attack Christians.  The most that it did was portray the Christian summer camp as very lame.  However, in this year's movies that I saw, this was the worst instance of anti-Christian bias.  That is a very good thing.


MOST MORALLY OFFENSIVE

A Simple Favor



From my review:

This film is a cesspool.  When people talk about how Hollywood creates moral rot, this is Exhibit A.  Rather than saying something universal about women or relationship, all this film does is show us the jaundiced moral world-view of people like Paul Feig and all you can do is thank God that you do not live in his morally messed up world.

WORST TV SHOW I STOPPED WATCHING

Murphy Brown

The Roseanne relaunch was a ratings juggernaut.  So naturally people looked to other popular mid-90's shows with strong female leads and came to Murphy Brown.  However, the original series does not have the same nostalgic place of affection in the TV audience's hearts.  Whereas Roseanne's tribute to working-class families seems more and more universal and relevant, Murphy Brown's original run seems too tied to the politics of the era.  Does anyone really care about the Dan Quayle controversy?  And the new version came off as strident and shallow.  This was a show not so much with a universal comedic message, but a political axe to grind.


WORST SHOW I STILL WATCH

Saturday Night Live

(Below are my comments from last year, but they still apply to this year)

I still hold out hope that in 90 minutes of television there may still be at least 5 minutes of good humor.  But it takes a lot of endurance through horrible sketches to come across a gem like "Crucible Cast Party."

The show has two major problems in its current era.

1.  The Election of Donald Trump.  If you watch the skits before the election they were harsh but there was still a great deal that was funny.  But after the election, especially after that somber cold open (and it is not an exaggeration to say that it was the most somber cold opening since 9/11), with Kate McKinnon playing a heartbroken Hillary Clinton, something broke in the show.  Donald Trump is the president and he models incredibly unusual behavior, so there is fertile ground for jokes.  But the writers don't seem to be interested in jokes and are instead only interested in attacking someone they hate.  That's all well and good, but you need to at least make it funny.

2.  The Anti-Comedy skits.  Pete Davidson and Kyle Mooney seem to be hellbent on making the most un-funny comedy sketches on the show, particularly with their digital shorts.  I was never a big fan of Andy Sandberg's digital shorts, but you could tell he was working hard on trying to get you to laugh no matter how silly he was.  Davidson and Mooney present sketches that are so odd that they fail to do anything but make you say "What the hell was that?"  And that might be their point, but it makes for incredibly bad television.

Sunday, October 28, 2018

Sunday Best: My Ideal Star Wars Episode IX




Production has already begun on the final film in the new Star Wars trilogy.  However, The Last Jedi was so flawed and divisive that the entire franchise is in danger of collapsing, as evidenced by the horrible box office of the very enjoyable Solo.


How can this be fixed?


A friend of mine, Rick O., asked me what my ideal version of Star Wars Episode IX  would be.  I thought about it.  


I thought about it way too much.


We have had no story elements leaked so far.  But if I was placed in charge of Star Wars Episode IX, here is what the movie would be.  It would have to try and recapture the optimism out of the cynicism.  It would have to tie together the events of all the films. It would have to say something new that hasn’t been said before while at the same time being consistent with the themes of the Star Wars universe.  It would have to give a resolution to the character arcs established in the previous two films.


And it would have to be a satisfying and exciting adventure.


I don’t know if my idea is perfect, but this is what my Episode IX would be:

STAR WARS

Episode IX

THE POWER OF THE FORCE


It is a dark time for the galaxy.  With the collapse of the GALACTIC REPUBLIC, chaos ensues.  Star Systems have come under the control of various waring factions and criminal gangs, with no protection for the innocents.


Kylo Ren, leader of the remenants of THE FIRST ORDER, takes his maurading band of fanatical followers to hunt down and eradicate any trace of THE RESISTANCE at all costs. 


Meanwhile, REY, the last remaing Jedi, has been scouring the galaxy for children sensitive to the Force in order to start a NEW JEDI ORDER to restore freedom and order to the galaxy...


The movie then begins as a ship lands on the remnants of Canto Bight.  The planet has been pillaged in the ensuing wars. Rey and Finn secretly land on the planet in the middle of a fight between warring factions of slavers and former slaves.  Neither side takes kindly to Rey and Finn. They land on the planet to find a force sensitive child (the one from the end of The Last Jedi)  When they find him in the chaos, they realize that they have to save all of his other slave children friends, even though there is no room in their small ship.  They decide to break into a secure hanger and steal a bigger ship.


Problems compound when The First Order arrives.  Not interested in making alliances with either side of the fight, Kylo Ren orders his troops to kill both sides.  The slavers and former slaves begin to fight the First Order, but they are both horribly outmatched.


Rey, Finn, and the children make it to the hangar, but the ships are all blown up.  They are confronted by a mysterious masked figure (not Kylo Ren). This masked person uses a purple lightsaber and confronts Rey.  Rey has reforged Luke’s lightsaber, but now the blade glows golden-yellow. There is an epic lightsaber fight. But the bombardment from The First Order ships in orbit knocks Rey out.  The masked figure steals the force sensitive child and escapes in a light spaceship that slips through the space battle above.


The bombardment gets heavier.  Kylo senses Rey unconscious on the planet.  He has a moment of feeling, but then orders the soldiers to annihilate the city.  Before they can execute the order, Poe Dameron and a squadron of Resistance ships comes and engages the First Order.  Poe orders a transport down on the planet to rescue Finn, Rey, and the children. He then orders all of the Resistance ships to destroy one of The First Order's large capital ships and then hyper jump away.  Kylo Ren becomes enraged.


Rey awakens on the new command ship, the Solo.  Finn tells her that they saved the other children, but that they lost the force-sensitive child to the mysterious masked figure.  He then tells her that Poe ordered that the Resistance jumped away and abandoned Canto Bight. Rey goes to confront Poe. Poe, as the new de facto leader of the Resistance, has adopted a strategy of slowly whittling away the First Order's resources.  Rather than engage them in full-scale battles, they hit them, do damage, and escape before they lose anything. His plan is a slow war of attrition. But Rey points out that the people of the planets have no one to defend them.  Those people's biggest problem is not the First Order, but the chaos and criminal gangs that are causing destruction. Poe insists that they have take out the First Order first. Rey insists that they protect the people first and train new peacekeeping Jedi.  Finn is caught in the middle. Before they can progress further in their fight, they receive news that Leia has died.


Kylo Ren is in his room on his new command ship, the Phoenix.  He feels a disturbance in the Force.  He knows his mother has died. He tries to hold back a tear but cannot.  He then hears Darth Vader's voice. The voice calls him weak. Kylo rails against him.  He says he doesn't need Vader anymore. He killed Snoke, he is in charge of the First Order, and he will kill the Last Jedi.  Vader tells him that Kylo Ren will fail. Even if he kills Rey, there will one day be more Jedi and more Sith. The wheel that Kylo has been trying to break will keep turning.  Unless Kylo listens to Vader, who has a plan.


On the Planet of Naboo, a funeral is held at the seaside location where Anakin and Padme were married.  C-3PO speaks about how he and R2 were witnesses to that union.  C-3PO doesn't remember it himself because his memory was erased, but R2 assures him it happened.  And that marriage produced two of the most extraordinary Skywalker children now gone: Luke and Leia.  C-3PO reminds those gathered that those we love are never really gone. R2 plays a hologram of Leia for everyone. During this funeral, Rey can see into the past and she witnesses the wedding Anakin and Padme herself.


Rey wanders off, emotional.  She then hears Luke's voice. She turns to see the force ghost of Luke.  She tells him she is sorry for abandoning him and not listening to him about Kylo Ren being beyond redemption.  He says he was sorry for not listening to her and joining the fight sooner. She says she doesn't know if she doing what's right.  He says, no one knows, but that we just have to go forward as best we can. None of us has all the answers. He tells her that she has a larger role to play, a bigger destiny.  She says she doesn't because she comes from nothing and is no one. He asks who told her this. She tells him Kylo Ren told her that her parents were no one. He tells her that Kylo isn't the most honest person.  She said she felt it to be true. He tells her sometimes we too easily believe our greatest hopes and deepest fears, like he did with Ben Solo. She says she heard what Luke said to Leia and that Kylo was beyond redemption. He says that isn't what he said.  He said "I can't save him."  She asks if that's her destiny: to save Kylo Ren.  He says, "I didn't say that." He tells her to listen Maz and that he is sorry.


Luke disappears and Maz Kanata shows up, being carried by Chewbacca.  Maz tells them that they have to leave now because she knows where the masked figure has taken the child.  Just as she begins to tell her, The First Order arrives. The First Orders destroys all of the Resistance ships in orbit.  They don't fire from space. Instead, they receive a message from Kylo Ren to surrender Rey to him. Rey offers to surrender, but Poe knows that it is a trap.  Maz says she knows someone who might help.


Maz leads them to a very old Gungan in rags.  She tells him the time has come. The old gungan says that he used to be wealthy and he used to be a senator.  He saved all of his money and used it for a special purpose. He knew that Naboo would never be fully safe. He created a small, but strong fleet of Naboo starfighters that he gives to Poe and the Resistance to fight The First Order and protect Naboo.  In the meantime, losing patience, Kylo sends down his apprentices, the Knights of Ren to take Rey. He also sends a battalion of storm troopers led by the badly damaged Captain Phasma. Finn tries to fend off the stormtroopers and Rey takes on the Knights of Ren.  Rey and the others fight on the ground and overcome them.


Poe gives the order and the remaining Resistance pilots engage the First Order in a space battle.  Poe wants to fight along side of the other pilots, but because the weapons systems of the Millenium Falcon are damaged he as to escort the Falcon to safety.  On board the Falcon are Chewbacca, Rey, Finn, R2, Threepio, and Maz. They break through the line. Kylo Ren flies into a rage. The voice of Vader tells him patience.  Things are now set into motion that will lead her to him.


On the Falcon, Maz shows them they have kidnapped DJ from the last movie.  He reveals that Ogama the Hutt has put a bounty on any force-sensitive child.  He does not know why. Finn says that they can't trust him, but Maz says they can.  As she says this, DJ rubs his newly attached bionic arm as Chewbacca laughs. Slightly horrified, Rey says to Poe, who is flying a Naboo starfighter next to the Falcon, that they need to go and negotiate the release of the children from Ogama on Tatooine.  Poe argues that he has to get back to the fight against The First Order but Rey tells him that if they don't start fighting to save the innocents, there will be now one left to build a Republic. She says it's what Leia would do.


During the journey, it is discovered that the masked figure has stowed away on the Falcon and attacks Rey. The masked figure nearly takes control of the Falcon. The heroes get Poe to fire on the  Falcon from his Naboo starfighter, causing damage to the ship and jolting the attacker enough for the heroes to get the upper hand. When they do, they subdue and unmask the intruder, who is revealed to be a woman in her early 40s with red hair.

While she is unconscious, they discuss what to do with her. Poe recommends that they jettison her and Finn agrees. Rey sends the others out of where she is holding the prisoner. Luke appears again and she asks for his advice. He works her through the possibilities of killing the prisoner or letting her live.  But he refuses to give her an answer. She yells at him in frustration. The prisoner stirs and asks who she is talking to. Rey asks her for her name. She says her name is Mara Jade. She is a bounty hunter. Luke tells Rey that Mara was one of his first students, even before he started the new Jedi Academy. But she left only after a few short years of training to make her fortune. Mara continues to ask who Rey is talking to.  Rey asks her if she is Jedi or Sith and she says she is in it for herself and that good and bad are illusions. She says the Sith are tyrannical. But so are the Jedi. She says her uncle was only a child when he was taken away from his family and brainwashed by the Jedi. Her family never saw him again. Rey asks what Mara has done with the force child and what Mara wants with her. Mara tells her that Ogama put out a bounty on all Force-sensitive children. But then when Mara told Ogama about Rey after their encounter on Canto Bight, he offered 50,000 for her alive. Mara says that Ogama did not say why. Rey asks if they are walking into a trap. Mara says that Rey will find out.

Back on the
Phoenix, Kylo has assembled the remaining Knights of Ren. He tells them he has had a vision that will lead to an end of the past, an end of the Jedi and Sith. He tells them that when he was just a padawan, Darth Vader appeared to him and told him that he would take his place as the most powerful Force user in history; that Kylo would be the new Vader. But now Kylo wants the Jedi and Sith to end. And Vader will lead him to this destiny. He tells them that it may cost them their lives. They all pledge themselves to the mission.

The heroes land on Tatooine. Rey says she’s been here before. Finn says it just reminds her of Jakku. Maz and Chewbacca remain behind to fix the damaged Falcon. Poe, Finn, and Rey have Mara lead them to Ogama’s lair. They come upon the remains of the Lars Homestead.  Rey sees visions of it as if it is still in working order. She then looks and sees Ghost Luke standing looking at the sunset. He said that all his young life he wanted to leave the Lars farm. But he appreciated the home they gave him too late. He tells Rey never take family for granted.  She says she doesn't have a family anymore. He says that family is what you make it. And he tells her again that he is sorry. Before she can ask why he's sorry, Mara Jade comes by and tells her that they are close to Ogama. When Rey asks where, Mara points to a city on the horizon. Rey notices that the city appears to be getting bigger.  Mara says that the city is a floating city that travels in perpetual twilight around the planet. While Rey is distracted, Mara attacks her and subdues her. Mara then quickly dispatches Poe and Finn.


Back on the Falcon, DJ is able to send a communication to someone saying that he is on the planet and that they should come get him.


Mara takes her prisoners to Mos Ikarus City, the city that floats above the desert wastes.  She brings the bound prisoners before Ogama the Hutt. Ogama is pleased because they have now the last Jedi in Rey.  Rey denies that she is who Ogama says she is. But then Rose Tico appears by Ogama's side and confirms Rey's identity. She has been working as a technician for Ogama.  She confronts Poe who kicked her out of the Resistance for stopping Finn from destroying the cannon on Crait. She then found DJ who got her a job as a technical helper to Ogama.  Her skill as technician made her indispensable to Ogama. Just then DJ shows up with Maz and Chewbacca in chains. Mara collects her bounty. Rey demands to know where the Force children are and wants to know what Ogama wants with them.  Ogama refuses to say much, only that he doesn't want them but is gathering them to deliver them to someone else. Ogama orders Finn and Poe to be executed. They aren't needed because they are not Force sensitive. Finn offers to trade their lives for another force user.  Finn tells Ogama about Mara's force abilities. Mara claims that Finn is lying. Ogama says he believes Mara, but then has one of his henchmen hit her with a tranquilizer dart.


Mara awakens and finds herself on the desert floor chained to Rey.  Above them is Mos Ikarus. Ogama wants to make sure both women are Force users so he puts them to the test.  He has dropped them right next to a sleeping Krayt Dragon. With no weapons, Rey and Mara must survive. At first Mara refuses to use her powers.


While Ogama and his crew are watching in amusement.  Rose informs him that he is getting an urgent message from their buyer.  Ogama tries to waive it off but the buyer says that it is urgent. Ogama and Rose go into a private room to make contact.


Back on the surface, Rey and Mara try to outrun the Krayt Dragon, but it is too large.  It also digs underneath them and almost chomps them, but instead breaks their bonds. Mara begins to run away, but the Krayt Dragon follows.  Rey uses her force powers to pelt the Krayt Dragon with the bones of its kills.


Back in the private room, Ogama and Rose establish contact with the buyer.  It is Hux. He is no longer a general, having abandoned The First Order when Kylo took over.  He is in hologram form and is at the center of a hologram council of various crime lords and warlords with their lieutenants standing guard.  He says that they should bring their Force-sensitive captives to him. Many of the crime lords balk and want more money. Hux quickly and effortlessly gives in.  He even offers extra. Suspicious, they ask why he is so free with money. He tells them he is about to become wealthier than anyone in the history of the galaxy and they can join him.  He explains that he discovered a derelict space station. It is ancient, older than the Republic, older than even the Jedi. He got it working again. It hovers outside the center of the galaxy and draws massive amounts of energy from the galaxy's center and processes it into unlimited fuel.  With this fuel you could to run an entire fleet of star destroyers around the galaxy and never come close to running low. The crime lords want in. Ogama asks why they need the Force sensitive people for. Hux says technology on the space station is ancient and alien. The harvesting process requires a unique energy source: Force-sensitives.  They are hooked up to machines and their ability to use the Force is harnessed to syphon energy from the galaxy core. Ogama wants to be exclusive partners with Hux. The other crime lords balk. Ogama gives a signal and all of the other crime lords' lieutenants execute their leaders. Hux is impressed and sends the coordinates to the base. Ogama asks what the base is called.  Hux says that the language used is dead, so he has no idea.


Ogama returns to see the Krayt Dragon coming close to killing Rey.  The Krayt Dragon is about to devour her when suddenly Mara force-lifts Rey out of the way.  Together they make a stand against the Dragon. Ogama says he's seen enough and that they should take the women and kill the other prisoners.  Rose takes out her pistol and points it at Poe. Suddenly, she shoots it at a nearby control panel. This releases the bindings of the prisoners.  Rose throws the heroes some weapons and they begin to fight their way out. BB-8 and R2 are catapulted down to the surface and race towards Rey and Mara.  When they get close enough they fire lightsabers at Mara and Rey who catch them and fend off the Dragon.


While running through Mos Ikarus, Rose explains to Finn that Poe sent her deep undercover.  She had to wait until she knew where Hux had gone. Chewbacca and Maz rescue the children. Rose then sabotages Mos Ikarus and it begins to crash.  The criminal inhabitants begin to flee, including Ogama. Poe, Finn, and the others make it the Falcon. DJ begs to be rescued too. Rose wants to leave him, but Finn says they may need him to get to Hux.  Chewbacca, Maz, and the children arrive and board the Falcon. Rose says that she is staying. Mos Ikarus is actually built on the bones of a super star destroyer and she plans to save it for the Resistance.  Poe agrees to stay and help her. Chewbacca flies the Falcon and rescues Mara and Rey.


The Falcon drops the children off at the Lars homestead.  Maz gets it up and running. Rey tells Maz and Chewbacca to stay and watch the children.  She has to go and rescue the others on Hux's base. Mara tries to leave, saying this isn't her fight.  Rey says that now her secret about being a Force user is out, she will never be safe until Hux's base is shut down.  Reluctantly, Mara agrees.


Finn tells Rey that she should stay with the children because she is the future.  If they lose her, they have no one to teach the children the ways of the Force. Rey says she has to go.  She takes the Jedi texts and gives them to Maz in case she doesn't make it back. Rey is still disturbed by the fact that she knows she has been to Tatooine before.  Maz reminds her of her words from The Force Awakens, "When you live as long as I have you see the same eyes in other people."  Maz says that Rey's eyes are seeing what they once did in another life. She says that life creates the Force, but life flows through the Force.  That is the real power of the Force. And that for the rare person, they come back from the Force to live life over again, hopefully to get right what they got wrong before.  Maz asks Rey if she ever wondered why she was so good at fixing things, why she was so adept and using the Force, why she is so skilled with a lightsaber that she could beat Kylo Ren on her first attempt, and why the lightsaber called to her. Rey refuses listen and leaves.


Rey, Finn, and Mara board the Falcon and leave for the secret base.


At Hux's base, Kylo Ren and the First Order fleet arrive.  Hux appears in a hologram communication to Kylo. Kylo begins to Force choke Hux.  Hux appears to be choking but then laughs. The ancient base has built-in safeguards against an attack by Force-users.  Hux relishes the chance to tell Kylo off once and for all. Darth Vader tells Kylo to ask permission to board. Kylo does and Hux smarmily grants permission.


On the Falcon, Mara asks Rey why she risks her lives for strangers.  Rey says her family needs her.  Mara points out that Finn, Poe, Chewbacca, and Maz aren't Rey's family.  Rey says that family is what you make of it. Mara asks about her family.  Rey says she doesn't know them. Rey asks Mara about her family. Mara says she doesn't have a family any more.  Rey asks what her uncle's name was. Mara says she doesn't know, her father never told her. But Mara’s father's name was Yoo-El Fore Kenobi.  Rey is ecstatic that Mara is related to Obi-Wan. Mara asks where Rey is from. Rey says she is from Jakku. Mara says that she once crash landed on Jakku but was patched up by a couple of junkers but that they took something from her.  Mara then looks at Rey strangely and asks how old Rey is.


Before she can answer Finn pulls Rey away.  Finn tells Rey that he was studying the schematics that Rose gave him.  Hux had sent limited information to Ogama. But from the looks of it, they may be able to board, but someone is going to have to stay behind and disable the auto guns for escape.  Finn says that he will remain behind and Rey can take the children. Rey begins to fight him, but Finn grabs her and kisses her. He tells her that all he ever wanted before he met her was to survive at any cost away from The First Order.  But when he finally met her, he knew that there are some things worth giving your life for. Before Rey can respond, Mara tells them they have come up on the base.


The Falcon sees the base but is out of range.  They can see the remains of The First Order Fleet.  Finn says they can sneak in towards the bottom hangar.  The base is design to fight massive fleets and to keep the prisoners from escaping.  It should make it easier to break in. Finn grabs DJ and forces him to cut through the security grid like he did to Snoke's ship.  DJ agrees only because they are approaching the base now and if he doesn't sneak them in, they will all die.


Once they land, Finn goes to find the weapons control with BB-8.  Rey and Mara go to find the Force children.


Meanwhile, Hux welcomes Kylo and the Knights of Ren.  Hux is surrounded by his soldiers, each with an energy force field that prevents the Force users from harming them.  Hux shows Kylo the controls for the base and how they are feeding off of the center of the galaxy. Kylo says it is beautiful and that he understands now.  Kylo goes to the controls and reverses the flow. The energy from the station begins to flow back into the heart of the galaxy. Hux yells at him to stop. Kylo says this is how we end the Jedi and the Sith: by ending everything.  Kylo is going to destroy the galaxy. Hux's soldiers attack and the Knights of Ren defend. Kylo pushes with the Force against Hux's shield but it glows brighter. Hux says that the shields absorb the Force and makes it stronger. Kylo then pushes hard against the shield.  It gets stronger and stronger. It then begins to get darker. Hux doesn't understand. Kylo says that the shield was too weak. It was letting in light and air. Now it's getting stronger and cutting off those things as well. Hux screams as the shield becomes so strong that it becomes a tomb.  Kylo returns to the controls and floods the galaxy's heart with energy.


Finn sees what is happening to the energy beacon and tells Mara and Rey over a comm link that they are running out of time.  They need to get the Force users away from the power source or the galaxy will die. Finn decides to try and blow up the energy beacon.  Finn is ambushed along the way by Captain Phasma and the stormtroopers. Phasma calls him a traitor. Finn asks the stormtroopers if this is the life they want.  He says that all of them were kidnapped from their families at a young age and that they were forced to do The First Order’s bidding. But they don’t have to do what they are told.  They can choose their own family. Some of the stormtroopers take off their helmets, others do not. The ones that remove their helmets fight alongside Finn and a battle ensues.

Mara and Rey find the Force sensitives.  Kylo is waiting there for them along with the remaining Knights of Ren.  Kylo tells them that the Force sensitives are wired into the base’s system.  He says Mara and Rey cannot free them. Kylo says that the only way they can save the galaxy is to kill the force sensitives hooked up to the base because that will cut off the base’s energy supply.  He says he won’t stop them if they try.


Mara considers killing them to save the galaxy.  But Rey stops her and tells her there has to be a better way.  Rey appeals to Kylo to let them go. Kylo says, “Still trying to save my soul?  You should have learned I’m a lost cause. Isn’t that right, Luke?” Luke as a Force ghost appears next to Rey.  Rey asks Luke for help, but he says he cannot interfere. But he does appeal to Kylo to stop this madness. Kylo says, “Two can play it this game.”  A Force ghost of Vader appears, except he glows red instead of blue. Vader tells Kylo that his destiny is at hand. Rey tells Kylo not to listen to him.  She says, “That’s not Darth Vader.” He asks her why she would say that. 

She says, “Because I am Darth Vader.” 

Kylo is shocked by this news and scoffs at it.  Rey looks at Luke. Luke asks her how long she’s known. Rey says ever since Maz told her that she had been on Tatooine before in another life. That’s why she is connected to the lightsaber and to Luke and to Ben Solo.  She tells Kylo that the spirit of Vader is in her.


Kylo looks at the Vader Ghost, confused.  Vader laughs and then transforms into the large Force Ghost of Snoke.   Kylo and Rey are shocked. Mara asks what they are looking at.  The Force Ghost of Yoda then appears next to Luke. The scene plays out like this:


LUKE: Snoke!
YODA: His true name, that is not.
REY: Who is he?
SNOKE:  I have been known by many names.  Kylo Ren knows it.  He was always fond of saying, “The Supreme Leader is wise!”
REY: I don’t understand!
LUKE:  He’s a Sith: Darth Plagueis the Wise.  He was the one who trained Darth Sidious, the Emperor.  Palpatine killed him.
SNOKE: I let my apprentice think he had killed me.  It let me stay in the shadows until his silly little Empire inevitably fell.  All that time I knew that there were better, subtler ways to work the power of the Force.  You have no idea how easy it was to corrupt this one [points to Kylo] by pretending to be his idol: Darth Vader.  However you, Skywalker, were harder to crack. But I was able to get my tendrils into your mind.  I stoked the fire or fear and paranoia over your nephew.  I almost got you to kill him. But your connection to the Light stopped you from doing it.  But it did not matter.  Either way I knew one of you would fall from the Light by my hand!
REY:  And the one that fell was your end.
SNOKE:  End? Don’t you understand, girl?  I am Darth Plagueis! I am master of life.  I will go on. It is the galaxy that will die!


At this point Kylo and Rey attack Snoke with lightsabers, but they have no effect.  Snoke laughs. Luke says to Rey, “You know how I said I cannot interfere? That’s over.”  Luke’s Force Ghost form grows and attacks Snoke, as does Yoda. Snoke enters the minds of the Knights of Ren and has them attack Kylo, Rey, and Mara.


Meanwhile, Finn is fighting his way down to the energy beacon.  He is stopped by a group of First Order Stormtroopers. But suddenly, they get word that the space station is under attack.  Poe, leading a small fleet of Naboo starfighters leads an assault, with Rose Tico piloting the space-faring Mos Ikarus. In the distraction, Finn is able to fight his way out of the ambush.  He gets on a comm to Rose and Poe and tells them that he can’t get to the energy beacon but that they can destroy it from space. Poe orders the ships to take out the energy beacon to stop it from destroying the galaxy.  Rose charges her ship ahead, boldly claiming how great it is to be able to pilot an entire Super Star Destroyer single-handedly.


Back in the prisoner’s chamber, Snoke is fighting Luke and Yoda and he is winning.  Rey, Kylo, and Mara are barely able to hold back the Knights of Ren. Snoke is able to knock back Luke.  Snoke takes hold of Yoda and obliterates his ghost form. Snoke tells the horrified Luke and Rey that Yoda has merged with the Force and will no longer be able to re-emerge as a Force Ghost now that he has endured this "second death."  Luke stands resolved but hesitates. Snoke taunts him, telling Luke that he is all alone. Rey and Kylo are too busy fighting the Knights. Snoke approaches Mara and taunts Luke again saying Luke will die again because these others like Mara have no idea that they could help.  Mara says, “That’s all I needed to hear.” She then hits Snoke with Force lightning, sending him flying. Luke looks at Mara shocked.


LUKE:  I thought you couldn’t see me.
MARA:  I lied.  You look good.
LUKE:  I never taught you how to use lightning.
MARA:  I picked up a few things after I left.  Mad?
LUKE:  Not now.


Luke and Mara face off against Snoke.  


The overload of energy to galaxy’s center is approaching critical.  Finn makes it to the weapons control to try and shut it down to help the Resistance ships.  There he is confronted alone by Captain Phasma. The two engage in a knock-down fight. In the process, Finn goes to overload the weapons system.  Phasma yells at him to stop. If he does, she’ll tell him where he can find his real family. Finn pauses for a moment and then says that he has a real family.  He overloads the system and runs out as the room explodes with Phasma inside.


The weapons control is destroyed and the ships engage with the beacon, but it is too heavily armored.  Some suggest using the Holdo maneuver and hitting at lightspeed. Poe says that won’t work because none of the ships have the prototype shields that Holdo’s ship had.  Rose Tico looks at the beacon and tells Poe to move all the other Resistance ships out of the way. She then points Mos Ikarus at the energy beacon. On the comms, she calls up Finn. She tells him she finally understands what he was doing on Crait and why she was selfish for stopping him.  She says that she hopes that this makes up for it. Finn yells at her to stop, but it is too late. She says she’s not destroying what she hates. She’s saving what she loves. She crashes Mos Ikarus into the energy beacon and stops it from destroying the galaxy. But it hits the space station and the station begins to be pulled into the gravity of the galaxy’s center.


Finn tells Rey over the coms that the station is hurtling towards destruction.  She fights her way through the Knights of Ren with Kylo. Mara and Luke are fighting Snoke, but they are slowing being overwhelmed.  Kylo and Rey finish the Knights of Ren, but the force-sensitives are still hooked up to the station. Rey begs Kylo to let them go so that they can be rescued.  Kylo says they can’t be saved. The station is drawing on their life energy to stay functional. He says they will die and it will feed off their residual Force energy in their bodies until they are used up.  If they cut off that power, they will all die.


Rey tells him that they have to try something.  Kylo says he is not a hero. He is beyond saving, even Luke said so.  Rey says that Luke only said that Luke couldn’t save him. Kylo says that Rey can’t save him either.  She says she knows. But she said that the Force is connected to life, not death: that is the power of the Force.  Rey reaches out with the Force with all her might and then collapses. Kylo catches her, unsure of what she has done.  But he looks up and sees that she has summoned two more Force Ghosts who glow with a golden light: Han and Leia.


Han and Leia approach their son.  He says to them he’s sorry. They say that they know.  He says he has no excuse. They say they know that too.  But that doesn’t change the fact that he is their family and that they will always love him.  Ben Solo says, “I know what I have to do, but I don’t know if I have the strength to do it. Will you help me?”  They reach out and touch their son’s face and wipe away his tear. They then help him to his feet.  Rey begins to come to just in time to see Ben head towards the power lines that are drawing the life out of the Force-sensitives.  He pulls the lines apart as the energy still flows through them. Ben looks back at Rey. She begs him to stop. He looks at her and simply says, “Thank you, Rey.” He then thrusts himself into the energy field.  The station begins to drain Ben’s life energy and the Force-sensitives are released. Ben is overcome and he dies.  The space station continues to feed off of the residual energy of his body, but it is failing.


Snoke has almost gotten the better of Luke and Mara.  He sees that Rey is trying to escape with the Force sensitives.  He blocks their way and says that if the galaxy won’t die, then at least Snoke can kill them.  Then Snoke hears a voice say, “The Force is not about death. It is about life. That is the power of the Force”  Snoke turns around to see the Force Ghosts of Han, Leia, and Ben Solo all attack him.


Finn arrives and helps lead the Force-sensitives back to the Falcon.  Rey lingers behind because she wants to help. Snoke is being overcome, but he still attacks with vigor.  He knocks out Mara Jade. Ben tells Rey to save her while she can. He then looks at Mara and says to Rey, “I lied when I told you your parents were nobody.”  Before he can say anything else, Snoke gets his hands on him the way he did Yoda. Rey cries out, but grabs Mara and heads for the Falcon.


Snoke begins to destroy Ben’s Force Ghost.  As Snoke does, he says, “Time for you to experience true death.  You will never come back!  You are going to be one with the Force forever!”  Ben reaches out and places his hands on Snoke, causing Snoke’s Force Ghost to begin to be destroyed.  Ben’s last words are, “The Force will be with you, always.” Snoke and Ben destroy each other’s Force Ghosts in a blinding flash.  This ripples through the station. Rey, Finn and the others on the Falcon make it away just in time for station to explode.


On the Falcon, Rey tells Finn she is sorry about Rose.  Finn tells her she died a hero. The two kiss. Finn looks over at DJ and he says that it isn’t fair that Rose died and someone like DJ lives.  Rey says that as long as there is life, no one is beyond redemption, even Kylo Ren or Darth Vader. Rey goes to Mara as she wakes up. Rey holds her hand.  Mara touches Rey’s face.


The Naboo fleet lands back on Tatooine at the now functional Lars homestead.  Maz and Chewbacca and the Force sensitive children greet them with cheers. Poe comes and finds Finn and Rey and embraces them.  Everyone celebrates in a festive atmosphere. Finn and Rey step away from the group and embrace. Rey looks off and sees the Force Ghosts of Luke, Han, and Leia smiling at them.  Poe, Maz, and Chewbacca join Rey and Finn as all of them look out at the twin suns setting while the others celebrate the birth of a new age.