ReasonForOurHope

Tuesday, December 16, 2025

New Evangelizers Post: Functionalism vs. Vitalism: the Extremes of Human Life

                                  


I have a new article up at NewEvangelizers.com.  

End-of-life decisions are some of the most agonizing heart-breaking.

When my mother was dying in the hospital, I was chosen to be her medical power of attorney, which meant that I had to make decisions about her care. It was a position I desperately did not want to have, because it felt like there were no good choices to make. If anyone out there has been in a similar position, my heart goes out to you.

But what are our guiding principles when making these end-of-life choices?

There are many varying factors at play here. But as a Catholic, you want to avoid the 2 extremes: Functionalism and Vitalism.

Functionalism is the belief that human dignity is based on having certain qualities or attributes. If a person no longer has the attributes, then their life no longer has value. For example, if someone loses consciousness or mobility or the ability to communicate, functionalists would say that the value of this life is lesser. As a result, the functionalists tend to believe in euthanasia, which is the intentionally killing of the sick.

You can see this functionalist mindset at play in Canada. Not only is euthanasia legal, but it is even encouraged by many in the public and private sector. The functionalist would say to the infirmed person that they are being selfish for being a burden on their families. On this view, the most compassionate thing to do is to end your own life if it is too burdensome for your loved ones.

This would also apply if the loved ones are the ones making those life decisions. In the Netherlands, a committee of physicians introduced the Groningen Protocol, which laid out conditions where children under the age of 1 could be euthanized under certain conditions. The Dutch government adopted regulations that would make it possible for parents to euthanize their infants. On this functionalist view, the suffering of the child and the burden of the parents make the killing allowable.

Of course the Catholic church is against all forms of euthanasia. All life is sacred and we do not have the right to murder, even self-murder. That isn’t to say that we are indifferent to the suffering of the sick. We can do all within reason to alleviate the suffering of others. The Catechism states, “The use of painkillers to alleviate the sufferings of the dying, even at the risk of shortening their days, can be morally in conformity with human dignity if death is not willed as either an end or a means, but only foreseen and tolerated as inevitable Palliative care is a special form of disinterested charity. As such it should be encouraged.” (Catechism of the Catholic Church, 2279).

It is important to avoid this philosophy of functionalism, because it becomes to easy to reduce the value of a human being to what they can do or contribute. If you have lesser ability, on the functionalist view, your life has less value. This is completely opposite of what our Lord taught us. Every human being, regardless of their ability, is made in God’s image and is of intrinsic value.

On the opposite extreme we have vitalism, which is the believe that any and all means necessary must be used to extend and persevere human life.

I want to be very clear at the outset, there is nothing wrong with using any ethical means to keep someone alive. When my mom was struggling, we had the option to remove her from her breathing machine. I asked her what she wanted and I followed her wishes to be kept on it. There is nothing in and of itself sinful about using things like ventilators and the like to prolong life.

But vitalism states that we must use these extreme measures. However, the Catholic Church holds that this is not necessary. Death is a natural part of our current state of human life. All ordinary means of keeping someone alive (e.g. food and water), must be given. But we do not need to go through excessive means to keep someone alive. Something like a ventilator is an extraordinary means. As a Catholic, if someone has no hope of recovery, a ventilator can be removed and natural death can take its course.

You can read the whole article here.




Sunday, December 14, 2025

Sunday Best: Christmas Movie Watchlist 2025 (repost)

     Most of the below article is from 2024


This either speaks to the fact that these movies are so good that they still endure as the years go on or the fact that nothing in the last few years has been able to match them.  Or it could be both.

Anyway, enjoy the read and share your thoughts in the comments section.

And no, I don't talk about the Star Wars Holiday Special

No one should talk about the Star Wars Holiday Special.

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There are some movies that I only watching during the 25 days leading up to Christmas.  So at least once a year these movies will be played at the Catholic Skywalker house, especially during Christmas activities like putting up the Christmas tree and present wrapping.

(not surprisingly, a good portion of the choices below are from my previous Sunday Best list of best Christmas movies of all time).


Spirited
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Since seeing this movie in the theater, I have watched it a few more times and it has grown on me even more.  The music has woven its way into my consciousness and I find myself revisiting the musical numbers out of sheer delight.  There are parts I skip over, especially in the first half (not a fan of the Ghost of Christmas Past in this movie) and it is just a bit too vulgar for a holiday film.  But it is overall a heart-warming, feel-good Christmas tale.

8-Bit Christmas
A pile of people form the shape of a Christmas tree.
Now, this could be simply because I am a Gen-X '80's child who grew up on 8-bit video games.  There was an authenticity to the world they created in its over-the-top strangeness.  But there is a reason why this movie is on here and not A Christmas Story

A Christmas Story works because of how it never strays from its tone of utter irony and cynicism while cloaked in 1950's nostalgia.  It is utterly bold to never have Ralphie learn the lesson that material things are not the true meaning of Christmas.  For that reason, A Christmas Story tends to stand out.

Superficially, 8-Bit Christmas is almost the exact same movie, only set 30 years forward.  But the movie is in many ways the opposite of A Christmas Story.  While A Christmas Story has the outward appearance of wholesomeness while inside is hollow cynicism, 8-Bit Christmas is packaged as a disposable, cynical Nintendo commercial, but I was literally shocked at the beating heart that was underneath.  The movie is not earth-shattering, but was surprisingly touching.

The movie is still fresh, so I will see if it lingers long enough in my memory to be back on this list next year.



Emmet Otter' Jugband Christmas

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I remember seeing this back in grade school and it was unlike any other Muppet production I had seen. It was so… sad.  There was a melancholy to this movie that I had never really encountered in a puppet based film, let alone a Christmas movie.  But that is part of its amazing charm.  Nothing in the world of Emmet Otter is easy, but the smallest things are so heavily valued.

And I can't help but love the music.  It has a diverse range of emotions, from sentimental, to silly, to heartbreaking.  One of the things I love about it the most is that it reminds us that life is unfair, but often things work out for the best.  I remember as a kid hating the Riverbottom Nightmare Band and thinking about how they stole the prize from Emmet and his mother.  But the Nightmare didn't do anything wrong.  They simply won.

And Emmet and his mom got something better than a temporary prize.  They found something that could sustain them for life.  I think that is a beautiful reflection for Christmas: how it isn't just a single day of gifts, but a place to begin making life better.




White Christmas

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What a great song and dance team Crosby and Kaye make.  This movie is just pure fun and heart.  And it has one of my favorite movie dance numbers of all time.  Danny Kaye is one of the true greats and I love him in almost anything he does.




 Love Actually.

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This movie expertly interweaves seemingly disparate stories and reminds us that Christmas is about love.  Christmas is a time when love, any kind of love, should be made more manifest.

Men discover that they truly love their friends.  Lovers pour out their hearts to each other.  Parents and children dare to dream for each other.

There are issues with the film, though I will not try to argue against them here.  I could definitely do without the gratuitous nudity and vulgarity.

It also has one of my favorite comedic bits with Rowan Atkinson.  I always claimed that he played an angel in the movie and I think my theory has borne out to be true.


Expertly directed, sharply written, and splendidly acted.

Elf

A man dressed like an elf stands between the letters "e" and "f".

What this movie gets right is that it captures the fun and heart of the old TV Christmas specials like Rudolph and Frosty, all the while setting it in our modern, cynical world.  But more than that, we would rather be Buddy in his boundless enthusiasm and love.


The laughs are big and it will leave you with a desire to spread Christmas cheer by singing loud for all to hear!

 The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe





This is, hands down, the best portrayal of Santa Claus I have ever seen.  He was big and beefy, with grey hair, but he was not slothful and slow.  He was a Santa Claus who was up to doing his yearly heroic mission. The gifts Santa Claus brings serve as a clarion call to fight on the side of the King of Christmas.

The Nativity Story



This is probably the best movie I have seen that is centered around the birth of Christ.   It is filmed beautifully by Catherine Hardwicke.  The landscapes, the homes, the costumes all feel so genuine.  And I love Oscar Isaacs' Joseph.  I love that he is portrayed as a young man who is still trying to find his place in this world.  He is a simple carpenter who just wants a simple life, but God has other plans.  I love how Isaacs performance of this man so overwhelmed that he almost buckles.  But he mans up and trusts in God and Mary.  For me, he is the real lynchpin of the movie.


I watch this movie every Christmas Eve to remind me of the heavenly peace of the Nativity.

The Muppets Christmas Carol



This is, hands down, the best screen adaptation of Ebenezer Scrooge's story.  It is also the move that the Muppets have made.

Michael Caine is perfect.  The music is fantastic.  And how can anyone not love the Ghost of Christmas Present?


 The Muppets make an excellent fit to the magical world depicted.  I also love that they did not eschew the explicitly religious elements, but brings out how essential Christ is in Christmas.

 Scrooged.

One of the reasons Scrooged works so well is that it is hysterical.  Bill Murray milks every ounce of humor from every quip and every glance.  To this day, I can't help but smile as the elves go for their automatic machine guns.

But what puts this movie over the top is the closing monologue.  The last 10 minutes of the movie are Murray preaching to the audience the meaning of Christmas.  It is one of the best performances of his life, if not the best.  It is almost exhausting to watch how he pours everything he has emotionally into that performance.


And it is a special movie that can get an entire movie theater of strangers singing at the end.




 It's A Wonderful Life

It's a Wonderful Life (1946 poster).jpeg


As a Catholic, I love that it starts with the collected prayers of the people of Bedford Falls.  This is ultimately, the story of a man whose prayers have been answered.  And I love the fact that God answers his prayers in a way that he doesn't expect.  God has a knack for doing the unexpected and better thing.

If God had simply given George the $8,000, then he never would have realized what a wonderful life he was living.  The point of the story is not the ending where the people give him the money (as the mighty John Nolte has pointed out).  When he returns from seeing the alternate reality, all of George's problems remain: he's deaf in one ear, bleeding from a punch, and he's going to lose his business and his freedom.  But even with all that, George is deliriously happy because he realizes that even with all of those problems, he still has a wonderful life: he has friends, he has a loving wife, and a treasure in his children.

The older I get, the more the worries and problems of the world begin to weigh on me.  But this movie is a reminder that our lives are not defined simply by the problems we face.  It is defined by the friends and family in our lives.  That is the real treasure of life and how sad it is for those who cannot see it.


In the movie, George has a plaque underneath the picture of his father that says: "The only thing you can take with you is that which you give away."  It's A Wonderful Life makes me want to be a better person.

I can't think of a better compliment to give a movie, especially the best Christmas movie of all time.

(ADDENDUM)



I also have to watch the claymation Christmas episode of Community



And maybe also the BBC Office Christmas Special.

And the Linus monologue from A Charlie Brown Christmas

Thursday, December 11, 2025

Trailer Time: Supergirl - Official Teaser


I have to say that of all the Supergirl storylines from the comic books, the one that interested me the least was Tom King's Supergirl: Woman of Tomorrow.  Here she is drunk and cynical, something that has not been a part of her lore.  So I was not very happy when it was announced that this story would be the basis for the upcoming Supergirl movie.

But I have to say... I kind of dig it.

I could be totally misreading the movie, but it looks less like she's an insufferable Mary Sue and more that she is a broken person on a character arc.  Last summer's Superman portrayed a person who was morally righteous from the beginning and remained in that goodness, like Steve Rogers.  Supergirl looks like someone who is a great deal of pain and is numbing it with alcohol and violence, like Tony Stark.  If they balance this out correctly, they could satisfyingly foil one off of the other.

The thing that struck me is that Milly Alcock actually looks cool.  A lot of the overpowered female protagonists in recent sci-fi (Rey Skywalker, Carol Danvers) may have some good qualities, but they did not come off as cool.  I like the way Supergirl struts in her trench coat and smirks at the hordes who are surrounding her.

And even though James Gunn is not directing it, Supergirl feels like it was filmed in the same universe as Guardians of the Galaxy.

Now, I am not completely sold on the movie.  Like I said, the source material is very cynical.  The line "Gods are not that kind," is fine in the context of her pain, but it could hint at a larger anti-religious bent.  Also, I hate the tag line about Superman: "He sees the good in everyone.  I see the truth."  This would imply that we are not all good and redeemable at our core, which is a very anti-Christian way to look at the world.  My hope is that this is a statement from earlier in her character arc where she moves slowly from cynicism to sincerity.  

I also like the tease of Lobo on screen.

Like I said, I wasn't expecting to really like Alcock's Supergirl, but I am more open to this movie now than before seeing the teaser.

Thoughts?

Monday, December 8, 2025

Film Flash: Eternity

    








15 words or less film review (full review to follow soon)


Great performances cannot save this thematically ugly piece of cinema




Sunday, December 7, 2025

Film Flash: Fackham Hall

   

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15 words or less film review (full review to follow soon)


Good effort at trying to do an Airplane!-style Downton Abbey parody  that is sporadically funny.



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Wednesday, December 3, 2025

Film Flash: Rental Family

  






15 words or less film review (full review to follow soon)

Heartfelt film that almost makes sin seem virtuous (but it's more complicated than that)




Tuesday, December 2, 2025

Film Review: Predator - Badlands


 

Sexuality/Nudity Acceptable

Violence Acceptable

Vulgarity Acceptable

Anti-Catholic Philosophy Acceptable

The original Predator is one of the greatest action movies of all time.  It is pure masculine mayhem in the best possible way.  It is unlikely that any movie will be able to come close to capture that lightning in a bottle.

In the years since, there have been several sequels that have attempted to recapture that magic, with varying degrees of success.  The latest attempt, Predator: Badlands, decides to do something radical: make the Predator the hero of the story.  As the sage once said: "It's a bold strategy, Cotton, let's see if pays off for 'em."

The movie centers around a Predator named Dek (Dimitrius Schuster-Koloamatanji) who is the runt of the clan.  Because of this, he needs to prove himself by going to the most dangerous planet known as Genna and kill the unkillable creature known as the Kalisk.  Dek crash lands on the planet and soon discovers that everything here is deadly from the animals to the flora and fauna.  Along the way he encounters Thia (Elle Fanning) a Weyland-Yutani android who is is missing everything below her torso.  She makes a deal with Dek to help him find the Kalisk if he gets her back to her people.  What follows is the standard reluctant partnership that slowly turns into friendship as the journey changes both of them.

If that plot summary sounds like this is a kinder, gentler Predator movie, that's because it is.  This looks and feels a lot more like a Marvel movie than a standard Predator film.  The tone, the humor, the action, the characters, and the violence feel like the could have come out of Guardians of the Galaxy spin-off.  

And here is the catch: if that is a deal-breaker for you, then this movie is not for you.

If, however, you are like me and can accept this change in tone, then Predator: Badlands is fairly enjoyable.  There is something lost when you remove the mystery and mystique of the Predators.  But what you get instead is a fairly straightforward reluctant friendship adventure.  Some people I have read found Thia cloying and off-putting.  However, I found her to be the right counterbalance to Bek.  Her constant chattiness and optimism are foiled against Bek's stoic silence.  

Plot-wise, the film is fairly standard with no real depth.  But that doesn't mean that it is bad.  The chemistry between the characters is fairly decent.  And the movie does one of the things I really like which is that it has good payoffs in the 3rd act that are set up in the 1st act without you realizing that they are being set up.  The movie rewards you for paying closer attention to how this world operates.  And it is fun to see Bek adapt to the surroundings, going from barely surviving to thriving.  It echoes Dutch from the original Predator, but the callback works.

The special effects work nicely in this film.  You get a strong sense of the ever-present danger of the planet.  The overall look of the Predator suffers by bringing it directly into the light and not keeping him in the dark shadows.  The action is very competently executed, with excitement and flair.  Bek can't rely on the normal bag of tricks that we've seen in other Predator films, but has to get creative, which adds to the enjoyment.

As I mentioned, the story's simplicity is reflected in its themes.  But those themes are still pleasing to see play out.  Bek's clan hates weakness and sees mercy as poison.  But in finding friendship and cooperation, Bek becomes stronger and better.  Again, it isn't revolutionary stuff, but the writers understand what their assignment is and they hit the correct thematic notes throughout.

No Predator film has lived up to the original.  But Predator: Badlands is not a bad way to spend a couple of hours of sci-fi adventure.



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