15 words or less film review (full review to follow soon)
Heartfelt film that almost makes sin seem virtuous (but it's more complicated than that)
15 words or less film review (full review to follow soon)
Heartfelt film that almost makes sin seem virtuous (but it's more complicated than that)
Sexuality/Nudity Acceptable
Violence Acceptable
Vulgarity Acceptable
Anti-Catholic Philosophy Acceptable
The original Predator is one of the greatest action movies of all time. It is pure masculine mayhem in the best possible way. It is unlikely that any movie will be able to come close to capture that lightning in a bottle.
In the years since, there have been several sequels that have attempted to recapture that magic, with varying degrees of success. The latest attempt, Predator: Badlands, decides to do something radical: make the Predator the hero of the story. As the sage once said: "It's a bold strategy, Cotton, let's see if pays off for 'em."
The movie centers around a Predator named Dek (Dimitrius Schuster-Koloamatanji) who is the runt of the clan. Because of this, he needs to prove himself by going to the most dangerous planet known as Genna and kill the unkillable creature known as the Kalisk. Dek crash lands on the planet and soon discovers that everything here is deadly from the animals to the flora and fauna. Along the way he encounters Thia (Elle Fanning) a Weyland-Yutani android who is is missing everything below her torso. She makes a deal with Dek to help him find the Kalisk if he gets her back to her people. What follows is the standard reluctant partnership that slowly turns into friendship as the journey changes both of them.
If that plot summary sounds like this is a kinder, gentler Predator movie, that's because it is. This looks and feels a lot more like a Marvel movie than a standard Predator film. The tone, the humor, the action, the characters, and the violence feel like the could have come out of Guardians of the Galaxy spin-off.
And here is the catch: if that is a deal-breaker for you, then this movie is not for you.
If, however, you are like me and can accept this change in tone, then Predator: Badlands is fairly enjoyable. There is something lost when you remove the mystery and mystique of the Predators. But what you get instead is a fairly straightforward reluctant friendship adventure. Some people I have read found Thia cloying and off-putting. However, I found her to be the right counterbalance to Bek. Her constant chattiness and optimism are foiled against Bek's stoic silence.
Plot-wise, the film is fairly standard with no real depth. But that doesn't mean that it is bad. The chemistry between the characters is fairly decent. And the movie does one of the things I really like which is that it has good payoffs in the 3rd act that are set up in the 1st act without you realizing that they are being set up. The movie rewards you for paying closer attention to how this world operates. And it is fun to see Bek adapt to the surroundings, going from barely surviving to thriving. It echoes Dutch from the original Predator, but the callback works.
The special effects work nicely in this film. You get a strong sense of the ever-present danger of the planet. The overall look of the Predator suffers by bringing it directly into the light and not keeping him in the dark shadows. The action is very competently executed, with excitement and flair. Bek can't rely on the normal bag of tricks that we've seen in other Predator films, but has to get creative, which adds to the enjoyment.
As I mentioned, the story's simplicity is reflected in its themes. But those themes are still pleasing to see play out. Bek's clan hates weakness and sees mercy as poison. But in finding friendship and cooperation, Bek becomes stronger and better. Again, it isn't revolutionary stuff, but the writers understand what their assignment is and they hit the correct thematic notes throughout.
No Predator film has lived up to the original. But Predator: Badlands is not a bad way to spend a couple of hours of sci-fi adventure.

This post might seem more appropriate for the Lent. However, Advent is also a penitential season in the Church. We tend to forget that because of all the gifts, shopping, parties, and food during this time. But just like Lent, Advent should be a time of penance in preparation for the holy day of Christmas.
Here in this article by “penance,” I do not mean the Sacrament of Penance, also known as the Sacrament of Reconciliation. By “penance,” I mean those spiritual works we do after we repent of sin.
I have often puzzled about the true meaning of penance. For many years, it felt like it was some kind of spiritual punishment. After we receive absolution in Reconciliation, we do our penance. For many people this feels like the spiritual debt that we pay for our sins. Sadly, that is how I treated penance for many years of my life.
But the idea of penance being spiritual punishment doesn’t quite jibe with our faith. Christ paid the debt of sin on the cross. We therefore do not earn our salvation by contributing to the payment of that debt. That isn’t to say there isn’t a need for reparation. All sin causes damage to the community. That damage, even if forgiven, needs to be repaired. If I break old Mrs. Krestel’s window while playing stickball in the street, I have an obligation to repair the damage done, even if she forgives me.
This is partly the meaning of penance. When sin has been done, there must be something done to repair in the world that which is damaged. I was speaking with a priest recently about one of his mission trips. While he was there, someone had desecrated the Blessed Sacrament at one of his churches. When Rome reached out to them regarding what needed to be done, one of the things that was required was that the entire community do penance. To be clear, the person who desecrated the Eucharist was apparently outside of this community. Nevertheless, the Vatican said that the community was required to do penance for the outrage. The penance was partial done because the community had failed to properly evangelize or witness to the perpetrator.
But the main purpose of penance is to live out your holiness.
In penance, I live out the life of Christ in me. When I do this, I voluntarily take up the cross. I don’t do this so that I can “earn” credit towards my salvation. Instead, by doing this I am uniting myself to Jesus, my Savior. And in doing so, I make my life more like His.
A penance can be passive. For example, fasting during Lent is a way to passively not partake in our desire for food. We can also passively accept some trouble or misfortune that comes our way and offer it up in union with the cross.
But you can also have an active penance. In this way, you can take on an activity like feeding the hungry or visiting the sick. The missionary priest I mentioned earlier asked his community what penance they wanted to do. They chose to perform an ancient tradition where each person picked the heaviest stone they could carry and bring it up the nearby mountain. He said that this penance was done as a community and the event was actually quite joyous. In carrying the penance together, the whole community drew closer to the joy of God.
And key to penance is that it should be done for God. This means that if you take up a penance of cleaning, it should be done as if you are doing it for God. This particular penance would be difficult for me, because my method of cleaning is basically to shove everything in a closet or cover it with a blanket. If I did it as a penance, I wouldn’t do it in such a slip-shod manner. Instead, I put all of my best efforts because I am not cleaning for myself, but for God.
A penance can be many things: it can be fasting, writing letters to the homebound, gardening, giving an hour of your expertise to help anohter, working a food bank, going to mass at a shrine, attending a funeral mass for someone, memorizing a new prayer, studying a book of the Bible, wake up at an early hour to prayer, a technology fast, domestic cleaning, going out of your way to help someone feel special, going on pilgrimage, etc. As you can see, there are many varied ways to live out your holiness so you can find one that is best at bringing your closer to God.
There are three things a penance should have:
Recently, Variety published their 100 Greatest Comedies of All Time. I saw a lot of websites comment on the list on how right or wrong they were.
This made me think of what would put on my own list. However my mine is different. Instead of "The 100 Greatest Comedies of All Time," these are the "100 Funniest Movies of All Time." A comedy movie can be great without being the funniest. For example, Life is Beautiful is one of the greatest films I have ever seen and it is at times very funny. But the reason it is so great is that it uses the humor tell a story that is beautifully heartbreaking. In the same way, Wag the Dog is a brilliant movie that uses comedy to make incisive commentary about modern politics. But I usually don't watch specifically for the laughs.
So my list consists of the 100 movies that make me laugh the most.
A few notes:
1. Comedy is SUBJECTIVE. You may not find my list of movies funny. That is fine with me. There are several movies that are comedy classics that didn't make my list (like Dr. Strangelove) that others think are hysterical, but really don't make me laugh.
2. This is indifferent to the MORAL CONTENT. I know a number of devout Catholics who cannot help but laugh at movies like Blazing Saddles. This does not mean that the movie is morally good. It just means that the jokes are funny, even if they are inappropriate. You will find some raunchy comedies on my list, only for the simple reason that they honestly make me laugh.
3. This list is in FLUX. Because comedy is subjective, there are times when some of these movies make laugh a lot more than they do now. This isn't just a matter of age, but it could be a simple matter of mood. There are times when the old timey comedy wit really hits my funny bone and sometimes I just want some insane slapstick. I don't imagine that if I make this same list in 5 years that it would be exactly the same.
So below is my list. Anything highlighted in yellow are films that are also found on Variety's list.
| 1 | Monty Python and the Holy Grail |
| 2 | Airplane! |
| 3 | Noises Off... |
| 4 | UHF |
| 5 | A Night at the Opera |
| 6 | The 40-Year-Old-Virgin |
| 7 | Without a Clue |
| 8 | Ted |
| 9 | Ed Wood |
| 10 | The Naked Gun: From the Files of Police Squad |
| 11 | Clue |
| 12 | The Court Jester |
| 13 | Top Secret |
| 14 | Animal Crackers |
| 15 | Duck Soup |
| 16 | Brain Donors |
| 17 | Ghostbusters |
| 18 | Spies Like Us |
| 19 | A Fish Called Wanda |
| 20 | Spaceballs |
| 21 | What's Up Doc? |
| 22 | Shaun of the Dead |
| 23 | Dodgeball |
| 24 | Game Night |
| 25 | Airplane 2: The Sequel |
| 26 | The Naked Gun 2 and 1/2 |
| 27 | Stripes |
| 28 | Three Amigos |
| 29 | Foul Play |
| 30 | Dragnet |
| 31 | Couples Retreat |
| 32 | See No Evil, Hear No Evil |
| 33 | Real Genius |
| 34 | Sleepless in Seattle |
| 35 | Swingers |
| 36 | Much Ado About Nothing (1993) |
| 37 | Black Dynamite |
| 38 | When Harry Met Sally |
| 39 | Coming to America |
| 40 | Better Off Dead |
| 41 | One Crazy Summer |
| 42 | The Simpsons Movie |
| 43 | Ghostbusters 2 |
| 44 | Shaolin Soccer |
| 45 | The Gold Rush |
| 46 | Hot Shots Part Deux |
| 47 | About and Costello Meet Frankenstein |
| 48 | The Big Store |
| 49 | A Day at the Races |
| 50 | Deadpool and Wolverine |
| 51 | Scrooged |
| 52 | Beverly Hills Cop |
| 53 | Beverly Hills Cop 2 |
| 54 | 3 Idiots |
| 55 | Kung Fu Panda |
| 56 | Groundhog Day |
| 57 | What Women Want |
| 58 | Grown Ups |
| 59 | Twins |
| 60 | Kung Fu Hustle |
| 61 | Galaxy Quest |
| 62 | Wayne's World |
| 63 | Billy Madison |
| 64 | Get Smart |
| 65 | Father of the Bride |
| 66 | Weird: The Al Yankovic Story |
| 67 | The Golden Child |
| 68 | Back to School |
| 69 | History of the World Part I |
| 70 | The Odd Couple |
| 71 | Seems Like Old Times |
| 72 | Father of the Bride 2 |
| 73 | Sopadish |
| 74 | Arthur 2: On the Rocks |
| 75 | Bad Medicine |
| 76 | Room Service |
| 77 | Deadpool |
| 78 | Austin Powers: International Man of Mystery |
| 79 | Hot Fuzz |
| 80 | Kindergarten Cop |
| 81 | This is Spinal Tap |
| 82 | Blended |
| 83 | Grumpy Old Men |
| 84 | Harlem Nights |
| 85 | Fletch Lives |
| 86 | Who's Harry Crumb |
| 87 | Men at Work |
| 88 | Horse Feathers |
| 89 | The Cocoanuts |
| 90 | Happy Gilmore |
| 91 | Liar, Liar |
| 92 | Ace Ventura: Pet Detective |
| 93 | Office Space |
| 94 | Young Frankenstein |
| 95 | Dirty Rotten Scoundrels |
| 96 | Good Morning Vietnam |
| 97 | Tommy Boy |
| 98 | While You Were Sleeping |
| 99 | The Great Muppet Caper |
| 100 | The Hangover |
Much of what is below is a repost from years earlier.
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Sexuality/Nudity Mature
Violence Acceptable
Vulgarity Acceptable
Anti-Catholic Philosophy Mature
Wicked: For Good is an emotional and ultimately satisfying conclusion to this epic movie musical.
SPOILERS BELOW FOR WICKED: PART ONE
The story picks up some time after the events of Wicked: Part One. Elphaba (Cynthia Erivo) is an outlaw trying to expose the lies of the Wizard (Jeff Goldblum). Glinda (Ariana Grande) is the poster girl for the regime and tries to smooth things out between the two sides when she can. She is also engaged to the increasingly conflicted Fiyero (Jonathan Bailey), with tension simmering underneath. As all of Elphaba's efforts seem in vain, she makes a last attempt to confront or even compromise with Glinda and the Wizard, which leads to tragic results.
Just as with the first movie, what makes this film work are the musical numbers and the performance by Erivo. Composer Stephen Schwartz even added a couple of original songs, but they don't really add much to the story. But when the music and the performance match, it is movie magic (pun intended). This is especially the case with Erivo's powerhouse voice in "No Good Deed Goes Unpunished" and in her duet with Grande of the title song "For Good." That last one in particular is the emotional catharsis of the entire story that got me very emotional. For that alone, I think the movie is worth it.
The difficulty with this film is that it is Act Two of a 2-part musical. As is often the case as in shows like Camelot or West Side Story, the first half is lighter and happier while the second is dark and tragic. The juxtoposition of the two creates a pwerful and balanced emoitonal experience. But splitting the film into two movies, most of the fun numbers (e.g. "Popular," "The Wizard and I," "Dancing Through Life," etc) are in the previous film. As a result, this film is a little lopsided towards the tragic.
The other performances in the movie are a mixed bag. Grande is better in this film than in the first. There is one part in particular where Elphaba asks Glinda to look at her "not with your eyes, but with theirs," refering to the crods that hate her. There is a subtle and strong emotional shift that occurs in Grande's experession that I didn't think she was capable of doing, but there you are. Bailey does a good job of showing Fiyero's emotional arc and his chemistry with both Grande and Erivo is good. Michelle Yeoh as Madame Morrible was tolerable in the first film, but as this movie requires more of her, she does not seem connected to ramping emotionality of the piece. Goldblum plays the humbug as well as in the first film, but you can see him getting wrapped up and spun around in his own machinations. The Wizard needs a powerful emotional turn to his character, but he is given very little to work with from the script, but Goldblum does it like the pro that he is. Ethan Slater as Boq and Marissa Bode as Nessarose turn in good performances, but their characters feel so different in emotion from the first. It would have been nice to spend a little more time on this slow devolution, though this is a problem that the stage musical has as well.
Returning to Boq and Nessarose, I love how the movie shows how love is corrupted by possessiveness. There is no doubt that Nessarose has deep affection for Boq, but instead of being moved to selflessness, she turns inward to selfishness, trying to capture the feelings from when she originally fell in love. This turns the person who is loved into an object of obsession, there only to service the emotional needs of the lover. The movie captures this corruption very well.
And as with the first movie, I think this is a wonderful example of female friendship. Despite all the ways that their choices spilt them apart, Elphaba and Glinda really do love each other. And it is a clear love of friendship, without it being mixed with romance. There is a power to seeing this type of friendship, which has its ups and downs, but ultimately transforms into charity. In the end, Elphaba only seeks the good for Glinda and Glinda seeks the good of Elphaba. When Nessarose tells Boq that she loves him, it feels hollow because it has been tainted. When Elphaba and Glinda declare their love, it works because it is pure.
I was a bit annoyed that they introduced sexuality into the Oz universe. I know that this film is supposed to be a more mature and darker take on this universe. But it felt a bit unnecessary, considering how many little children were in attendance in the show I saw. It isn't graphic, but it is very clear that two characters are moving towards sex as the sing and slowly undress.
Director Jon M. Chu was overlooked for Oscar awards last year, but I'm hoping the Academy does not make the same mistake. The production design is as good as the first and he is able to incorporate the CGI in a way that brings Oz to life in a way that is believable. As I said about the original, he stages the musical numbers in a way where it doesn't feel like you are watching a music video, but he captures the big, bold choreography of the stage. He also knows how to frame a scene and when to linger. There is a moment between the two main characters and closed door that holds for an unusually long time. But the composition punctuates the entire tragic emotion of the scene and gives the characters a proper and poignant farewell. But as with the first one, the main critique I have is that it could have been tighter and feels just a touch long.
The two parts of Wicked really should be seen and experienced as a whole. And as the final act of the Wicked saga, Wicked: For Good satisfies.
