ReasonForOurHope

Monday, July 29, 2024

New Evangelizers Post: A Gold Medal in Blasphemy

                                                                         


 


I have a new article up at NewEvangelizers.com.  

A few days ago, the 2024 Summer Olympics began in Paris, France. To the shock and disgust of Christians around the world, it began with a recreation of The Last Supper.

But this time Christ was replaced by a woman with same-sex attractions, and the Apostles were replaced with some barely-clothed men in drag. It was topped off by someone dressed as the Greek god Dionysus being left on the table.

As you can imagine, the outrage was immediate and intense. The Olympic Committee has taken down the video of this and sent out a half-hearted apology. The director of this debacle claimed that it was aimed at a message of “inclusion.” Though it is always telling that when representation and inclusion are paramount, Christians tend to be excluded.

In the last day, the media (both mainstream and social) have been trying to gaslight believers by saying that this was not a recreation of The Last Supper. Instead, it was a Dionysian Feast, which was known for its wild debauchery. Often these explanations are accompanied by paintings of these feasts as if to prove a point. So Christians are being told that they are reading into things that are not there.

This, of course, does not pass muster. The most glaring point is that (as far as I can tell), the moment was promoted in the Olympic Committee materials as “The Last Supper on the Seine.” When you look at the iconography, it is clearly meant to mirror that of Leonardo Da Vinci’s “The Last Supper.” There is no way that the Olympic Committee did NOT know what this was.

So why did this happen and how should Christians respond?

WHY THIS HAPPENED

From a philosophical point of view, you have to remember that France has been imbued with a postmodern philosophy. Forgive me if I oversimplify, but post-modernism is based on the idea of “deconstructionism.” This means there is no true and valid way to look at the world. No one’s interpretation is more valid than another. Because of this, whenever anyone claims that something is “true,” the deconstructionist will begin to tear it down. All boundaries, structures, hierarchies, etc., are to be attacked.

The post-moderns take this idea and say that because of this, no “meta-narrative” is possible. A “meta-narrative” is a true and meaningful overview of the meaning of life, history, and the world.

Christianity stands in direct opposition to post-modernism. We believe that not all interpretations are valid. That is the whole idea behind the concept of sin: there is a right way to act and there is a wrong way. The post-moderns reject any idea of sin. Christianity also tells us that life, history, and the world are all part of God’s grand design. He made us with specific ends and purposes, and we sin when we frustrate those ends. The world is filled with natural symbols of deep truths. History is the narrative of how He creates us and saves us, that’s why it’s “His-story.”
The Last Supper is the beginning of the great Triduum, where we see Christ’s saving work in His life, death, and resurrection. It is this event that all Catholics remember as we gather around the altar at Holy Mass. The priest even invokes the words of that special night, “On the night He was betrayed…”

Holier and wiser people than I have written extensively about this Paschal Mystery. But allow me to point out that this event is the summit of Christ’s mission on Earth. It is a moment of table fellowship where Christ shares all that He is. He speaks His final discourses. He washes the feet of the Twelve. He takes the bread and says, “This is My Body, which is given up for you.” He takes the chalice and says, “This is my blood… do this in memory of Me.” All of this is to show that He is the One True God who will lead us to salvation through the cross and bring us everlasting life.

So what do we have in the Olympic presentation? The exact inversion of all of this.

Why specifically use people of immoral sexual lifestyles? Because for the post-moderns, there is no sin. If Christ is a man of chastity, then He is replaced with a homosexual woman. If the Apostles were called by Christ to have their nature perfected by Him, then they are replaced with men who declare they will perfect themselves by rejecting their own nature. Whereas Christ gave away His Body and Blood so that others may live, this Dionysian feast is about the indulgence of the body: “This is my body and I will do with it what I want.”

That is the philosophical reason behind this blasphemy. If you will permit a psychological interpretation, it feels very much like an adolescent need for rebellion and attention. Especially for people who have not yet found true, abiding meaning in their lives, they thrive off attention and controversy, like a teenager acting out by being “rebellious.” Part of the point is to shock.

I remember I had a colleague who kept giving harsher and harsher punishments to her students for being insubordinate, but it was not curbing their behavior. She asked for my insight since I tend to be a big disciplinarian in my school. In her case, I told her that their reward was getting her to react emotionally against them. It should be that they had the power to make her feel outraged.

In some ways it is the same thing here.

WHAT SHOULD WE DO?

Many wiser people like Bishop Barron have commented on this already. I humbly offer a few thoughts.

You can read the whole article here.




Sunday, July 28, 2024

Robert Downey Jr. is Doctor Doom!

 


File:Robert Downey Jr. 2014 Comic-Con.jpg
photo by Gage Skidmore

It was announced last night at San Diego Comic Con that Robert Downey Jr. would be returning to the Marvel Cinematic Universe.  But this time he would not be returning as the flagship character Iron Man.  Instead, Downey Jr. will portray arguably the greatest Marvel villain: Doctor Doom.

I have to say that I was caught completely off guard by this.  I know that Downey Jr. has said that he was finished with the character Tony Stark.  While he loves Tony and is grateful for everything that character brought to his life, Downey Jr. felt that he had said everything he wanted to say about Iron Man.

Since leaving the MCU, he won a much-deserved Oscar for Oppenheimer.  I would imagine that after spending years as a "movie star," he had the desire to prove himself again as an actor.  With that accomplishment under his belt, I am imagining he felt free to return to his comic book roots.  (Of course all of this is speculation).  

I'm sure we will be getting more details in the future, but here are my initial thoughts:


CONS:

Phase IV and V of Marvel has not been great.  With the exception of Spider-Man: No Way Home (which is mostly a Sony film) and Deadpool & Wolverine, the MCU has not had the same mega-hits as before.  Some people say that it is super hero fatigue, but that is not the reason.

I worry that by bringing in RDJ, the original MCU hero, that he might get The Last Jedi treatment.  He might be there so that the old legacy of Marvel can be taken down a peg so that their newer stars can rise to the top.  This is not far-fetched if you look at how this occured over and over again in the comics.  RDJ might be back only so that they can give greater gravity to whichever hero Marvel wants to make its central hero.  

This would be consistant with the new female Black Panther, Hawkeye, Thor, Scarlett Scarab (Moon Knight), She-Hulk, Echo, Cassie Lang, G'iha (Secret Invasion), etc.  

My other worry is that by relying on its past glory days, Marvel may miss out on some new and exciting stories to tell..


PROS

I am actually incredibly excited by this development.

Doctor Doom has never been properly portrayed on the big screen.  Too often he comes of as a generic megalomaniac.  But Doom has a gravitas, a presence that is matched only by his immense power.  RDJ said that he loved playing complex characters.  This tells me that he and Marvel understand that Doom is not another bad guy.  He, like Thanos, is the hero of his own story: someone who will do what he thinks needs to be done no matter what anyone thinks.

I do not know if his resemblance to Tony Stark will be a major plot point, but if it is, it can have some fantastic character applications.  Dan Murrel mentioned in his reaction video that this would be a tremendous opportunity to delve into Spider-Man's character.  Tony was his father figure and his dying hero.  But to face him as a villain: that is something on the level of Luke Skywalker fighting Darth Vader.  In fact, the entire MCU looks up to him.  What will it be like to see someone with all of Tony's hardness but none of his softness?

I am also very excited to see how RDJ portrays Doom.  I am assuming that he is not going to give Doom Tony's personality, but I could be wrong.  I think RDJ would want to play someone completely other in order to make both of those characters as distant as possible so that you at times forget that they are portrayed by the same person.

Wouldn't it be incredible if they took the dark mirroring of the character even further?  Just as Tony was the hero that led to the Avengers, what if Doom assembles an anti-Avengers made of the great villains to take on our heroes.   Again, I'm just spit-balling, but that's the point:

Casting RDJ opens up all new amazing possiblities for the MCU


Thoughts?

Saturday, July 27, 2024

Film Review: Deadpool and Wolverine

 



Sexuality/Nudity Mature

Violence Mature

Vulgarity Mature

Anti-Catholic Philosophy Mature

You have to know that if you are going to see a Deadpool movie that it will be filled with over-the-top, bloody violence and some of the most vulgar language imaginable.  If you can accept that, then Deadpool and Wolverine will be some of the most fun you will have in the theater this year.

The story picks up a few years after the events of Deadpool 2, where Deadpool/Wade Wilson (Ryan Reynolds), has settled into a mediocre life.  He is a car salesman living with Blind Al (Leslie Uggams) and is now separated from the love of his life Vanessa (Morena Baccarin).  Despite this, Wade is moderately happy because he has a small group of friends (most of whom are from the previous two movies) that care about him.  However, Wade is abducted by Mr. Paradox (Matthew Macfadyen) of the Time Variance Authority (from the Disney+ show Loki) and is invited to join the MCU timeline.  However Wade discovers that his timeline is dying and believes he can save his universe if he finds a Wolverine (Hugh Jackman) from the multiverse to come and reside in his universe.  I won't spoil his travails here, but he ends up with the "worst" Wolverine from the multiverse and the two of them have to join forces to save Wade's world.

Now, that sounds like some standard MCU, multiverse plot set-up.  And that is part of the charm of Deadpool and Wolverine.

The franchise has always happily taken pot-shots at the super hero genre.  But with this movie, the entire Marvel Cinematic Universe and its predecessors are its toybox.  These Deadpool movies have always been very good at doing simeltaneous things that are contradictory.  First, they make fun of the genre of super hero movies while at the same time having a fairly traditional superhero plot line.  The second is that the movie shifts radically in tone to adolescent, scatalogical humor to heart-felt drama and it hardly ever feels false.

The movie keeps at its heart the traditional hero's journey at its center, albeit in a strange Deadpool fashion.  In an early scene Wade tries to join an important organization because he says "I need this."  But this just highlights that he has not yet become the selfless hero he needs to be.  The "worst" Wolverine is on a redemption arc where he needs to move past his trauma and step up when he is needed.  The Deadpool movies are actually not as subversive as people think.  One of the reason The Last Jedi turned so many people off was because it appeared like a traditional Star Wars movie but it had subverted its main themes.  The Deadpool movies look like they are subverting the hero's journey, but in actuality, it remains its beating heart.

There are a lot of things I would like to discuss in this review, but I do not want to spoil them.  Part of the fun of this movie are the surprises.

My main criticism are mostly nit-picks.  For example, while the movie was funny and there was a good deal of laughter, I hoped that it would be funnier.  The good news is that even if a lot of jokes don't land, there are so many that you will more often than not be smiling throughout the movie.

The second is that Deadpool sometimes crosses a line that makes him just a little too unlikeable.  This is best exemplified when he gets innocent people killed by his words and actions.  These are, of course, meant to be taken as jokes, but then tend to be just on the wrong side of distaste.  They aren't deal-breakers, but they make the movie just slightly less enjoyable.

The third is that they flirt with blasephmy as a recurring joke.  Mr. Paradox ask Wade to join the MCU, so Wade thinks of himself as a savior and gets into the habit of calling himself "Marvel Jesus" and makes several jokes in this vein.  None of these jokes come off as targeted or hostile to Christianity.  They feel more like an immature attempt at edgy humor.  But for some people this might be just too big of a turn off.

But the strength of this movie is completey on the shoulders of Reynolds and Jackman.  They are the perfect superhero odd couple.  One of the best parts of Jackman's performance is that he plays Wolverine completely seriously.  He is as intense and dramatic as anything he has done before.  He even has a monologue right before the third act that is rivetting.  This acts as a perfect foil to the bonkers insanity of Reynolds.  From body language to vocal inflection, the two of them find the perfect opposites that make for a rich comedic and dramatic balance.  Since their characters both have healing factors, their fight scenes with each other do not have life and death stakes.  Instead, they are expressions of their characters fear, angers, and frustration.

And as crude as this movie is, there is a clear affection for the movies that have come before, particularly the ones from 20th Century Fox.  The jokes and the digs feel like the way your best friends call you the meanest names.  You are good with it because you are at that level of friendship where you can do that.  The jokes towards the MCU feel a little different.  They feel like the court jester poking fun at the emperor, saying he has no clothes.  Those jokes feel a little more pointed, but I give Marvel credit for letting themeselves get roasted.

While I did wish the movie was funnier, I admit I am still chuckling as I remember some of the jokes.  I never thought the word "Gubentorial" would give me a laughing fit.

As I mentioned in my review for The Acolyte, my bar for entertainment is actually fairly low.  The bloody and frenetic action sequences kept me fully engaged.  Seeing Wolverine and Deadpool tear into each other filled me with a nostalgia from when I first read these characters.

Speaking of which, there are so many Easter Eggs and nods to all aspects of Marvel Comics and Marvel movies.  In fact, there are too many of them to full absorb in one sitting.  This means that I am definitely going to see this movie again.

This is probably the most enjoyable MCU movie since Spider-Man: No Way Home.  It is definetely better than the last Deadpool.  

I would watch Reynolds and Jackman keep playing these characters again and again.  Even into their 90's.


Star rating 4 of 5.png
 


Friday, July 26, 2024

Film Flash: Deadpool and Wolverine

 

Deadpool holds his gun against Wolverine.

15 words or less film review (full review to follow soon)


Vulgar, violent, entertaining celebration and take-down of Marvel movies.  A mess of contradictions that works!

Monday, July 22, 2024

Film Flash: Twisters

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15 words or less film review (full review to follow soon)

Great chemistry between the leads and exciting sequences make this a fun, disposable popcorn film.

Star rating 3.5 of 5.png

Sunday, July 21, 2024

Sunday Best: Top Ten Greatest Original Movie Musical Soundtracks

   A few weeks ago, a friend of mine (T. Martin) posted his list of his Top 10 Favorite Movie Soundtracks

In order to understand what we mean by this, I the topic into three categories.

CATEGORIES

The albums will be diveded into three categories:

1. Score - this will be focused on the instrumental music composed originally for the movie.

2. Soundtrack - this will focus on popular music used by the filmmakers.

3. Original Musical - this will focus on musical albums composed just for this film.


I already wrote about my top 20 movie scores as well as top ten soundtracks..  Now, I am moving on to Original Movie Musical Soundtracks.

The movies in this category are all from Original Movie Musicals, not musical adaptations.  So for example, West Side Story, Grease, and The Sound of Music will not be found on this list because they originated on Broadway first. 

These movies are for musicals that had their first incarnation as movies.  So Mean Girls: The Musical, would not qualify, even though it is based on a movie, the music has its origins on the stage.

Also, this is a list of the best original musical soundtracks, not necessarily which of these are the best movies.  Some of the movies listed here may not be very good movies.  But their original soundtracks are excellent.  The movie may help give context to the music, which elevates it.  But the music here is front and center.


10.  Xanadu

This movie is ridiculously bad.  But the music is actually fantastic.  It combines some early 1980's pop with a dream-like, lyrical feel.  Some of it is horribly outdated, but the music that remains still holds up.  I actually find the music transportive to that era.

9. Beauty and the Beast

A Silhouette of Beast dancing with Belle behind warm light. The film's tagline reads "The most beautiful love story ever told" with each word stacked vertically.

This movie is often cited as the pinacle fo the "Disney Renaissance," where the studio recaptured the magic of their classif fairy tale animated adventures.  Much of that was because of the power of Alan Menken's music.  Beauty and the Beast hits just the right tone of romance and magic, along with over-the-top fun with "Gaston."

8. Aladdin

A hand holds an oil lamp and another rubs it, and glowing dust starts coming off the lamp's nozzle. The text "Walt Disney Pictures presents: Aladdin" is atop the image, with the tagline "Imagine if you had three wishes, three hopes, three dreams and they all could come true." scrawling underneath it.

This soundtrack just edges out the previous one, but they are almost tied.  It has a fun, frenetic energy, but it also has one of the most romantic love ballads in all of Disney with "A Whole New World."


7. The Little Mermaid

The music for this one just swells with emotion.  "Part of Your World" perfectly captures the adolescent desire for change and romance and "Under the Sea" is such a fun tribute to all things aquatic.  And "Kiss the Girl" has all the innocent fun of a Disney romance.

6. That Thing You Do!

One of the reason this movie works so well is that all of the original songs written for it feel like they came out of that early 1960's era.  Not only that, but they all feel like they could have been gigantic hits.  In fact, the whole movie doesn't work unless the main song, "That Thing You Do!" isn't the most catching thing that you have heard in a long time.  The movie and the music have a symbiotic relationship that makes the movie fun and the music so enjoyable.


5. High School Musical


 

It is easy to jump on this movie as cheesy, because it is.  It is a movie geared towards children about an idealized high school experience.  But there is a reason that this became not just a hit, but a phenomenon.  The music is fantastic and most of the songs are bangers.


4.  Once

This is a small movie that stands tall because of the power and magic of the music.  I remember showing this film to my family and they didn't get it and weren't invested until that amazing song, "Falling Slowly" was performed.  Once that happened, all of the music found its way into their hearts.  There is a scene where the main characters are doing their first studio recording and you can see the same thing happening to the reluctant sound engineer who is slowly won over by the music.


3.  Mary Poppins

One of the reasons that Mary Poppins Returns failed was because it could not match the power of the original's sound track.  Off the top of my head I could probably name most of the songs in the movie and remember the lyrics.  I can't how any of the sequel's music sounds.  I have no memory of it.  The original's songs have heart and power, even a melencholy ballad like "Feed the Birds" or whimsical pieces like "Let's Go Fly a Kite."  


2. The Wizard of Oz

 

These songs are part of cinema DNA and will live as long as movies do.  Most of us were introduced to this movie when we were children and there is a timeless quality to it.  Some have said that "Somewhere Over the Rainbow" is the greatest song ever written.  When you hear Judy Garland sing it, you can understand why.  The longing in her voices touches that part of us that longs for a better life just out of reach.  


1.  The Greatest Showman


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This pick for number one will be controversial, but hear me out: 

The soundtrack is fantastic.

I remember being in the theater and hearing the first song "This is the Greatest Show" and being drawn in, but then I felt my heart swell with "A Million Dreams."  And song after song delighted and excited all the way through to the end.  It is rare to have a musical with such a high rate of great songs.  Even the worst song on the soundtrack, "Tightrope," is still pretty terrific.  I remember my wife and I got to the car after our first viewing and immeadiately looked up the soundtrack so we could listen to it more on the way home.  That is how great it is.


HONORABLE MENTIONS;

-Willy Wonka and the Chocolate Factory

-Music and Lyrics

-Frozen

-An American Tale

-The Muppet Movie

-Muppet's Christmas Carol

-The Chipmunk Adventure

Wednesday, July 17, 2024

The Acolyte Episode 4-8 Review: A Long Day's Journey Into Night

 

File:Acolyte.svg
 


After finishing season 1 of The Acolyte, I am left with one emotion:

Disgust.

WARNING: SPOILERS BELOW FOR THE ENTIRE FIRST SEASON.  THE ENTIRE SEASON WILL BE SPOILED IN THIS REVIEW

One of my friends, T. Martin, "I feel like I'm living in bizarro wolrd when I think a live-action Star Wars project is better than you do."  And in my review of the first three episodes, I was fairly dour on the show.  

However, I become more hopeful with the fifth episode.  Here, the Jedi confront the main antagonist of the series.  Master Sol (Lee Jung-Jae), Osha (Amandla Stenberg), Yord (Charlie Bartnett), Jecki (Dafne Keen) and others are after Mae (Stenberg) to stop her from killing Wookie Jedi Master Kelnacca (Joonas Suotamo).  Mae is accompanied by her bumbling partner (Manny Jacinto), but Mae decides to betray her master and turn herself into the Jedi.  But she arrives too late to save Kelnacca, who has already been killed.  When the Jedi arrive, Mae's masked master arrives and lays waste to the Jedi.  

I think one of my flaws as a critic is that it sometimes takes very little for me to be entertained.  The fifth episode had an exciting and tense lightsaber fight.  Shakespeare decried the undiscerning audience who "are capable of nothing inexplicable dumb shows and noise."  But if you give me an engaging lightsaber fight, I get excited.

The fight was also punctuated by the unexpected deaths of Jecki and Yord.  With those stakes, I felt myself drawn in more.  It was revealed that the masked villain was actually Mae's partner, who had only been pretending to play the fool until now.  At the end, Mae tries to talk Osha into running away with her, but Osha rejects her.  So Mae knocks her out and switches places with her and returns with Sol.  The villain (credited as "The Stranger") finds Osha and brings her back to his planet hideout (which is clearly the one Luke was on in The Last Jedi).

At this point, the show had the power to turn everything around.  I was invested and interested In what would happen next.  But things began to fall apart.  I remained intersted, but there were some glaring problems.

I once read of a certain comic book writer that he was "a good plotter, but a bad writer."  This meant that he was able to come up with some fantastic plot ideas, but the execution of these stories in writing failed to live up to the promise of the plot.  That is what The Acolyte feels like.  After the fifth episode, I could see the creativity of the plot, but the writing fails.  Characters behave in ways that make little sense only because it is necessary for the plot to happen.

For example, Osha wakes up on the planet with the Stranger.  After watching him skinny dip, she has the ability to fly away in his ship and leave.  But she stays and engages him in conversation.  This makes absolutely no sense as she saw him murder her friends in the previous episode.  Mae was ready to turn herself into the Jedi in the fourth episode, but in the sixth she once again is intent on murdering Sol.

The penultimate episode is a flashback to episode 3 from Sol's perspective.  The four Jedi are assigned to the planet to discover if their is a vergence in the force, since the planet is not supposed to support life.  Padawan Torbin (Dean-Charles Chapman) is homesick for Courascant.  Sol stumbles on young Osha and Mae and becomes creepily obsessed with Osha.  He fears for the safety of the girls, which is why the Jedi go to the coven.  Master Indara (Carrie-Anne Moss) tells Sol that they are to leave the girls alone, but then Torbin discovers the twins have a high midechlorian count.  Since this could prove the presence of a vergence, he races off against his masters' wishes to get the twins.

Before continuing, here is another example of writing failing the plot.  Torbin acts selfishly and the result will be tragic.  But the writing never establishes why Torbin is so obsessed with going home.  Sure, he may be bored, but there is nothing compelling as to why he would act so rashly and drastically to return.  You could chalk it up to an earlier scene where Aniseya (Jodie Turner-Smith) invades his mind, but this would make no sense and be counter-productive to the coven.  The plot depends on Torbin acting impulsively, but they don't make sense.

Sol goes off with Torbin, but he senses that Osha is in trouble because Mae set the fire.  Before this, Koril (Mararita Levieva) gathered armed guards and told Mae to "get angry."  Sol and Torbin enter and confront the conven.  Mae runs in and asks for help.  Sol thinks it is Osha.  And now here is the point of tragedy.

Aniseya begins to dematerialize into dark particles while deforming her face into a demonic form.  As she is doing this Sol sees that Mae is also dematerializing.  If I were in his shoes, I would think that Aniseya was killing Mae.  So Sol stabs Aniseya with his lightsaber, killing her.  But before she dies, she confesses that she was going to let Osha go become a Jedi.

After this, the rest of the coven attacks.  Sol barely defends himself out of guilt.  But then the witches posses Kelnacca and has him fight Torbin and Sol.  Again, this was the highlight of the episode for me.  I even watched it multiple time.  Seeing a Wookie Jedi in action was quite thrilling.  But then Master Indara comes and excorcizes Kelnacca and this apparently kills all the witches.  To my mind, Indara has done NOTHING wrong and the deaths of the witches our on their own heads.  Sol tries to save Mae and Osha from a falling bridge, but can only save Osha.  On the ship home, Sol plans to confess to the council his actions, but Indara says he has a responsibilty to lie in order to take care of Osha.

If the story was meant to show the evil of the Jedi, it mostly failed.  Yes, they act unwisely and impulsively, but based on everything I witnesssed, everything they did was totally understandable.  The Jedi are on the front lines of conflict in the galaxy.  Tragedies like this will happen.  But the solution is to take responsibility the way Sol wanted to.  The greatest moral failing was the collective lie.  That's why it makes no sense for Torbin to drink the poison in episode two.  He bears some responsibility to be sure, but he is not a pure villain.

But this brings us to the final episode.

Sol brings Mae to her homeworld.  She tries to escape and Sol almost kills her but is stopped by Bazil.  Once again, it makes no sense of Sol to try and kill her at this moment.  He wants to bring Mae and Osha together to prove to the council that there is a vergence.  When on the planet he tries to find Mae.  Meanwhile, Osha and the Stranger arrive.  Osha confronts Mae, where Mae tells Osha about Sol killing Aniseya.  The Stranger confronts Sol, where Sol denies that he did anything wrong.  Again, this is completely inconsistent with the previous episode where Sol understood how he failed and wanted to take responsibility before the Council.  You could argue that he changed over time, but that is not what he has been implying since the beginning of the show.  The lightsaber fight was engaging.  The Osha/Mae fight was not.  Stenberg's emotional catharsis just didnt register as true.

Finally, Osha confronts Sol about killing Aniseya.  Sol confesses and about to say he did it because he loves Osha.  But Osha force-chokes him to death.  As she brings him to his knees, he tears up and says to her "It's okay."  He consents to his own murder.

A few things about this moment.  I knew that Sol was going to die in this episode.  Because of his actions, he needed to pay a price for his actions in the previous episode.  While Sol was not a complete villain, justice required him to atone.  I don't really have a problem with that.  The problem is how disgusting a scene it was.  If Osha had, in a fit of rage, stabbed Sol with her saber like Kylo Ren did to Han, that would not only be more understandable, but it would be symmetrical wot Sol killing Aniseya.  But to slowly choke him to death is cruel, intimate, and evil.  

If the episode had ended here are soon after, I may not have been as disgusted.  But following this, Mae, Osha, and the Stranger flee the Jedi.  Osha agrees to become an apprentice to the Stranger, but Mae's memory has to be wiped and the twins have to part.  (By the way, there some revelation about the twins not being twins but two halfs of the same person.  This plot point never develops into anything interesting or significant that I actually forgot about it until now).  We are then treated to a tearful goodbye between the twins.  But here is the problem:

I DON'T CARE ABOUT THEIR FEELINGS!  THEY ARE ALL MURDERERS.

Sol killed Aniseya, but he acted out of ignorance.  He is not a murderer.

Indara killed all the other witches to save Kelnacca from being possesed.  She is not a murderer.

Mae, the Stranger, and Osha all acted in deliberate cold blood.  The show wanted me to feel something for their emotional pain at being separated again.  Boo-frickin'-hoo.

Once Anakin kills Mace Windu (and definitely when he kills the Younglings), he is a murderer.  He is the villain of the story and while I feel his tragedy, I lose sympathy for him.  Or to use a closer analogy, in Captain America: Civil War, Iron Man tries to kill Bucky because he finds out the he murdered his mother.  That primal rage is understandble, as Osha's would be.  But the movie was smart enough to not let Tony kill him.  If he had, Iron Man would have become a villain.  Once Osha murders Sol, she loses all audience good will.  

And she expresses no guilt or anguish.  Even Anakin expressed heartache over his early murders.  In fact, her last scene shows her smirking as she embraces the Stranger's hand.  

Master Vernestra frames Sol for all of the murders to spare the Jedi's reputation.  This avoids any continuity errors with the Jedi not knowing about the Sith in The Phantom Menace.

Like I said, every time I think of the show, I am filled with disgust.  Depite interesting plot points and some cool lightsaber fights, it was wrapped in poor passing and mostly poor performances (except for Jung-Jae and Jacinto).  They miss the mark at most turns.  Affection comes off as creepy obsession.  Righteous anger comes off as murderous evil.  

The themes are as ugly as the execution.  There is a moral relativism at play where Osha self-actualizes by embracing her rage and murdering the closest person she has to a father.  We are left with a too-long story that leads our main character into utter darkness.

And unlike the end of Revenge of the Sith, there is no New Hope.


Tuesday, July 16, 2024

Film Flash: Fly Me To The Moon

 


15 words or less film review (full review to follow soon)


Charming space race rom-com that soars because of Johansson's charisma and star-power.  Could be funnier.

Star rating 4 of 5.png
 

Monday, July 15, 2024

New Evangelizers Post: The Eucharist- Adventures in Space and Time

                                                                        


 


I have a new article up at NewEvangelizers.com.  

Allow me to offer a small reflection on the Eucharist.

Often when I receive Communion, I reflect on the connection that this creates between all Catholics in the world. When I was a child, my pastor explained the Eucharist in a way I could understand: “When you eat a Big Mac, it becomes a part of you. When you eat the Eucharist, you become a part of Christ.”

There was a deep truth in that very simple analogy. Through His mystical Body and Blood, Jesus calls us to participate in becoming substantially united with Him. Since the Eucharist is His true Body and Blood, we become one with Christ Himself.

But if other Catholics also participate in the Eucharist, then we have communion not only with Christ, but with each other. After I receive the Eucharist, I sometimes think about how I am also united with the other people in my congregation. And then I think of how my bishops and all the priests and religious in my diocese are united by this reception. And then I think of the whole world and how I am also united with the Pope and all Catholics in the world from celebrities like Mark Wahlburg and Jim Caviezel to the poorest of the poor in every corner of the world.

This brings to life the words of Scripture how we are one body, but many parts (1 Corinthians 12:12). Being one body, we are reminded that doing good for one is doing good for the whole. And harming another is to harm the entire Body of Christ. This imagery helps us feel a closeness to all of our Catholic brothers and sisters and help us to put aside any enmity, rivalry, envy, or selfishness. If I can learn to rejoice in the good fortune of others as if it was my own, then my negative feelings towards that person will melt away. Thinking of all of us as one body can help with that.

This also helps overcome the geographic barriers that separate us. Some of my best friends live hundreds of miles away. And while I call and text my pals often, there is still that physical distance. But when I go to the altar to receive the Body of Christ, I know that we are united in a mystical closeness that is stronger than physical proximity. When we are called to lift up our hearts and we say, “We lift them up to the Lord,” all of our hearts are drawn together like the spokes on a wagon wheel until they converge in the center: the Body of Christ.

But my spiritual director recently helped me realize that Communion overcomes not only the barrier of space, but also of time. Jesus is beyond space and time, so entering into His mystical body unites all time in Himself.

I always understood that Mass is a place where time folds in on itself and we become mystically present at the Last Supper and the Crucifixion. But this also means that every Mass converges together. When I receive the Eucharist, I am united with Peter, Andrew, John, James the Greater, James the Lesser, Thomas, Jude Thaddeus, Bartholomew, Philip, Simon, and Matthew. I receive the same Eucharist and am united with Francis of Assisi, Thomas Aquinas, John Paul II, Edith Stein, Mary Magdalene, GK Chesterton, JRR Tolkien, Thomas More, Maria Goretti, Mother Cabrini, Miguel Pro, Charles Lwanga, and the great men and women of the Church throughout the ages.

But this also means that I am in communion with my Catholic ancestors. For at least 500 years in my family’s past when the missionaries brought the Gospel to my father’s country, I am in communion with all those who came to the altar. My father’s parents were people of great faith. I remember when my grandfather had trouble walking, he would take my arm as I walked him up the communion line and we would both receive the Eucharist.

He still has my arm when I receive the Eucharist today.

My mother passed away seven years ago. We shared a bodily connection when she conceived me.

And through the Eucharist, we are connected once again.

The same is true of so many friends and family members whom I love that have gone before me in death. I cannot hold their hands again in this world, but our closeness is not lost in Christ.

And I am in communion with so many others who are not yet born. The Church will last until the end of time. Between now and then, there will be countless more people to whom I am connected that have not yet received the Eucharist, but will in the years to come. Christ overcomes time and I am united with them. Wouldn’t it be wonderful if someone centuries from now comes to the altar because you and I shared the Gospel with someone?

You can read the whole article here.




Sunday, July 14, 2024

Millimeters From Catastrophe

 Yesterday, we were millimeters away from one of the worst days in American history.  A would-be assassin's bullet missed a fatal shot on former President Trump by millimeters.  We know that one person in the crowd has died and others were injured.

(I hate that I have to make this disclaimer, but with everything being as politically charged as it is, I want to be clear I would be writing the same thing if President Biden was almost murdered).

It is still early and there are many details unknown, so I do not want to speculate about the shooter here.  There are wiser people than I who have made statements of faith, assurance, and insight.  I am not sure what I can contribute to the conversation, but I felt like I had to write something.

I remember being horrified when I was talking to a friend who wished death on a presidential candidate.  At first I thought he was joking, but he was serious.  I have encountered a few more instances of this in my life.  And while this is all anecdotal, I cannot tell you how much it sickens me.

Do we want to live in a country where this type of violence is expected?  How can a country live the ideals of peace and liberty when blood is their argument?

One of my fears is that in our politics, we unperson our opponents.  Politics has always been a dirty business, but do we forget that those we oppose are human beings and that we are all citizens of the same country?  I have no problem with fighting hard and being tough against those we oppose.  But all of us are made in the image and likeness of God.  

I was not alive with John or Bobby Kennedy were shot killed.  I was around for the Reagan shooting, but I don't remember it much.  I wonder if people felt the same way then as we do now?  

Like I said, I don't know how much wisdom I have to offer.  But I can offer my prayers.  

Let us pray for our country and pray for our political leaders.

Let us pray for an end to all political violence.  Let us pray for the person in the crowd who was killed.

Let us pray for peace.

Thursday, July 11, 2024

Film Review: A Quiet Place - Day One

 


Sexuality/Nudity Acceptable

Violence Mature

Vulgarity Mature

Anti-Catholic Philosophy Mature


The biggest problem with A Quiet Place: Day One is that even though it is good, it suffers in comparisson to the first one.

This prequel takes place on the day of the alien invasion that destroys human civilization by the sound-hunting creatures from the previous films.  The movie centers on Samira (Lupita Nyong'o), a woman dying of cancer in a hospice.  She reluctantly takes a field trip to New York City in order to get a slice of pizza before she dies.  But then the invasion occurs.  The rest of the movie involves avoiding th monsters.  Along the way Samira comes across Eric (Joseph Quinn), a British law student who clings to her as she makes her way up North to Harlem for that last slice of pizza.  

The movie gets a lot of things right.  If you are looking for a movie with some fun thrills and some enjoyable tension, then this movie will hit the spot.  The performances are also excellent.  Nyong'o and Quinn are able to non-verbally convey the terror and rage at the situation in a way that draw you in.  Writer/Director Michael Sarnoski is able to adequetly adjust the series rural enviornments for the claustrophobic crowds of the city.  As this is Day One, it is intersting to watch the people slowly figure out how to survive.  There are also fun moments where you, as the audience, can see the sound levels getting too high without the characters realizing the danger they are in.  

The movie has two difficulties.

The first is the one mentioned at the beginning of the review.  The original film is primal in the way it approached its horror and its themes.  It struck a chord in a way few modern movies do.  This one tries to hit similar depths with its mediation on life and death with Samira's illness, but it doesn't land in the same way.  

The second involves the writing of the characters.  There was so little dialogue in the first, that the family had to be defined by their actions.  This embodied the power of the classic principle "Show, dont' tell."  But this movie begins with our charcters speaking and it feels like the writers try to get as much exposition in as possible before the silence begins.  At the beginning Samira is a mean person.  We know this not only from a mean poem she writes, but she explicitly says, "I'm a mean person."  

The character development also has issues becuase of the structure.  Eric doesn't come into the movie until about half-way through.  The actors do their best to make their connection strong, but it feels very thin.  Quinn's main job as a performer is to look terrified the entire time.  While that may make us empathetic, it doesn't give us much depth.  That isn't to say that he is a one-note coward.  We see him find his courage as he bonds to Samira.  And Nyong'o does the best she can moving through her stages of grief to acceptance, but again it feels like they could have dug a little deeper.  

Another reviewer noted that unlike the first film, we see the monsters much more clearly from the beginning.  As in the Alien franchise, the creatures are much scarier when they are shrouded in mystery.  

There are a number of nice subtle spiritual moments.  The main characters find themselves at one point in a church.  Even in the midst of this catastrophe, we can see a number of people bowing their heads in prayer.  The church also acts as a sanctuary and a place where our charcters come to realize what they are willing to risk for each other.  The other is that there is a very subtle allusion to David and Jonathan from the Bible, who exchange clothes as a sign of their friendship.  One of the most powerful non-verbal moments for me was how the two main characters clothe each other in their own garb as a way to pass on a part of each other.  I wouldn't say the movie is super Christian or pro-life, but there are some nice moments like these that are sticking with me.

If A Quiet Place: Day One had been the first in the franchise, it would still not be as good as the original.  But the comparisson does dim this movie's luster.  But taken for what it is, outside of its comparrison to the original, it is an enjoyable sci-fi thriller.


Star rating 3.5 of 5.png

Tuesday, July 9, 2024

Trailer Time: Agatha All Along (Disney+)


I'm not sure why they thought this show was a good idea.  In the desperate move by Disney to keep pumping out content, there are SO many other fascinating Marvel characters to choose from.

But I will say that the first minute of this trailer was pretty cool.  The serious tone of a police procedural which is interrupted by Marvel madness was a fascinating take.

And then the rest of the trailer happened.

The tone of the second half feels like something out of my least favorite MCU show: She-Hulk.  It feels like a lot of unfunny humor to follow the journey of a character that I don't really find that interesting.

But, as always, I am open to being wrong.

Thoughts?

Monday, July 8, 2024

Film Flash: A Quiet Place - Day One

 

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15 words or less film review (full review to follow soon)


A fine sci-fi thriller, but not nearly as powerful as the first Quiet Place.

Star rating 3.5 of 5.png
 

Sunday, July 7, 2024

Sunday Best: Top Ten Movie Soundtracks of All Time

  A few weeks ago, a friend of mine (T. Martin) posted his list of his Top 10 Favorite Movie Soundtracks

In order to understand what we mean by this, I the topic into three categories.

CATEGORIES

The albums will be diveded into three categories:

1. Score - this will be focused on the instrumental music composed originally for the movie.

2. Soundtrack - this will focus on popular music used by the filmmakers.

3. Original Musical - this will focus on musical albums composed just for this film.


I already wrote about my top 20 movie scores.  Now, I am moving on to Soundtracks.  One of the things that surprised me was how many of the movies on this list are movies that I don't really enjoy.  But the soundtracks are fantastic and so I am ranking them based on those merits.


10.  Bill and Ted's Excellent Adventure

This soundtrack is one of the most underrated.  It is pure fun.  It has that retro-80's rock but with all the innocence of the main characters.  I cannot help but smile when I listen to this music.

9. The Graduate

This is the first soundtrack on this list that is almost exclusively from one musical group.  It works so well because Simon and Garfunkle set the tone for the entire movie and fill the movie with so many of their now-classic songs that it amazes me that they are all in this movie.  "Sounds of Silence" is so evocative at the beginning and ending of the movie and it still resonates to this day.


8. Saturday Night Fever

I really don't like this movie and I am not a fan of disco.  But the BeeGees completely owned this era with this soundtrack.  It is a testament to them that even though I don't care for this musical genre, I can appreciate all of the classic songs they made for this movie from "Stayin' Alive," "More than a Woman," "We Should Be Dancin," "Night Fever," and "How Deep is Your Love."

7. Pulp Fiction

A pulp-magazine themed poster shows with a woman in a bedroom lying on her stomach in a bed holding a cigarette. Her left hands lays over a novel that reads "Pulp Fiction" on it. An ash tray, pack of cigarettes, and a pistol is laid down near her. The top tagline reads "WINNER - BEST PICTURE - 1994 CANNES FILM FESTIVAL". A sticker below the title reads "10¢".

There is something about this soundtrack that feels very much of that specific time in movies.  It has this strange ecclectic mix of nostalgic songs like "Son of a Preacher Man" and "You Never Can Tell."  But it also has some cool covers like Urge Overkill's "Girl You'll Be a Woman Soon."  Tarantino knew how to use music to give a specific feel for his movie that is unique.


6. Swing Kids

Back in the late '90's there was a resurrgence of interest in Swing music and Swing dancing.  But years before that, there was Swing Kids.  Not only was it a fantastic movie, but it did something that I didn't think was possible: it made Swing music cool.  In the context of the movie, you could see the energy and life and rebellion found in the music.  Before, listening to Swing music would make me think of the older generation and it felt mild.  But now whenever I hear it, I feel the need to get up and dance.

5. Forrest Gump

Film poster with a white background and a park bench (facing away from the viewer) near the bottom. A man wearing a white suit is sitting on the right side of the bench and is looking to his left while resting his hands on both sides of him on the bench. A suitcase is sitting on the ground, and the man is wearing tennis shoes. At the top left of the image is the film's tagline and title and at the bottom is the release date and production credits.

This soundtrack is like a tapestry of American music from the '50's through the '80's.  Zemeckis was able to find music that captured the different times and eras of the main character's life.  There is something about how the music has a way of transporting you across time.

4.  American Graffiti

I believe George Lucas was the one who really pioneered the use of movie soundtracks with this film.  And his use of the music is sometimes so subtle that you barely notice its effects.  But the songs he chose were so specific to that time of his life and they are filled with a fun and innocence that seems to be lost.  When you listen to it, you can feel the culture of the time before the counter-cultre of the middle '60's.



3.  Dirty Dancing

I detest this movie, which has one of the most morally corossive themes of any film.  But the soundtrack is amazing.  What is strangely special about it is that the music is about young desire and romance, but the music is innocent while the movie is illicit.  It's like the innocence of the music sanitizes the horrible morals of the film.  That is a testament to the power of that soundtrack: it has the power to make you feel good.


2. Highlander

Some will object to this soundtrack being so high on the list, but Queen outdid themselves with their soundtrack to this movie.  They bring you the heights of human grandeur ("Here we are/ born to be kings we're the princes of the universe!") to the depths of utter despair ("Who wants to live forever when love must die...").  As much as I love Queen, this might be some of my favorite work they have done.


11.  Footloose

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Every song on this Soundtrack is great.  It is pure 1980's pop, but it is filled with such pure joy.  Even the super cheesy songs like "Dancing in the Sheets" have such a silliness to it that I can't help but smile.  I am not ashamed to say that "Never" still gets my blood pumping and makes me wish I could dance like Kevin Bacon (or is dancing double).  And that title song is such a great opening and closing song that it always fills me with joy.



HONORABLE MENTIONS;

-Can't Hardly Wait

-Breakfast Club

-Grosse Pointe Blank

-Guardians of the Galaxy

-The Karate Kid

-Resevoir Dogs

-The 40-Year-Old Virgin

-Juno

-When Harry Met Sally.


Thoughts?


 

Saturday, July 6, 2024

Film Review: Horizon - An American Saga Chapter 1

 


Sexuality/Nudity Mature

Violence Mature

Vulgarity Mature

Anti-Catholic Philosophy Acceptable

It is odd to start a review with a few disclaimers, but I think it is warrented for a unique movie like Horizon.

Horizon is not one movie.

It is 4 movies.  Or rather, it is the first part of 4 movies.

Kevin Costner has set out to do something that is so wildly ambitious that I cannot really think of an equivelant.  He is essentially taking the old-school mini-series format and applying it to the cinema.  

If that does not sound like the kind of movie experience that you can handle, then this movie may not be for you.  

And when I make the comparison to the mini-series, I am calling to mind the great epics like North and South.  But it is important to remember that Costner wants this to be a cinematic experience, not one that feels like it was made-for-tv.  If you can give yourself over to that concept, then I think you will enjoy this movie very much.

There are several stories at play here in this movie.  All of them have a tangential connection to a place called "Horizon."  This is an area of land out west that is being sold to settlers before and during the Civil War.  Somehow the stories seem to be interlinked.  Below are some of the basic plots:

-The settlers of Horizon are subject to a brutal night raid by the Apache led by the headstrong Pionsenay (Owen Crow Shoe).  This attack is told primarily through the eyes of the Kittredge Family: father James (Tim Guinee), mother Frances (Sienna Miller), son Owen (Will Patton), and daughter Elizabeth (Georgia MacPhail).  In the aftermath, the nearby Union fort sends Lt. Trent Gephart (Sam Worthington), to bury the dead and escort the lost back to the fort.  To his chagrin, very few choose to leave but instead face the dangers of the wilderness.  This story then branches into one that follows Gephart and the survivors and one that forms a posse to find the Apache.  In addition, Pionsenay comes under the ire of his elder Tuayeseh (Gregory Cruz), who can see more bloodshed coming because of Pionsenay's actions.

-Another story involves a wagon train of settlers heading towards Horizon.  The reluctant leader is Matthew Van Weyden (Luke Wilson), who tries to keep everyone safe and moving through the dangerous wilderness.  He is particularly annoyed with a posh English couple Juliette (Ella Hunt) and Hugh (Tom Payne) who are not pulling (to Matthew's mind) their fair share.  But tensions rise as some of the move violent men of the group begin to lear menacingly at Juliette.

-Another story involves Lucy (Jena Malone) who shoots the patriarch of a Montana family for what appears to be years of a abuse.  She escapes with her child but is pursued by the man's sons: Junior  (Jon Beavers) and Caleb (Jamie Campbell Bower).  These violent men will stop at nothing to exact revenge.

-Another story involves Hayes Ellison (Costner) who finds himself in a small mining town and involved in a life-and-death situation involving the local prostitute Marigold (Abbey Lee)


If that sounds like a lot of plot threads, it is.  And even with its more than three-hour run time, the story doesn't feel like it scratches the surface.  But I have to tell you, the story never drags.  There were times that I felt the need to excuse myself to the restroom, but I resisted because I didn't want to miss anything.  Unlike a lot of TV shows where there appear to be a lot of filler scenes, this movie uses every scene to either advance the plot or deepen our understanding of the character.

Costner famously won an Oscar for directing Dances with Wolves, and the beauty he captured on screen is present in Horizon.  We see the West through Costner's eyes: a place that is as beautiful as it is dangerous, as enchanting as it is deadly.  There were several times where I wanted to pause the movie just to look at the majestic vistas.  In my review of The Bikeriders, I mentioned that the film makers never showed us why the life presented on screen was appealing.  But Costner is able to capture the appeal of the West.  There is something satisfying, wholesome, and honest about wanting to pull yourself up by your bootstraps and create a better, freer, simpler life for your family.  In the town of Horizon before the attack, you could see the joy people had at having a piece of that American Dream.  

But Conster's view is not one of rose-colored nostalgia.  The attack on Horizon is brutal in every way imaginable.  And no one is safe.  The story subverts expectations, but in a way that is trying to draw you in rather than trying to show off.  There is another slaughter elsewhere in the movie that is just as brutal.

One of the smartest things Costner does with this movie is that he trusts the audience to make up its own mind about the events and the characters.  Is Pionsenay justified in his attack or not?  Is the response justified or not?  Costner trusts you to decide these complex things for yourself.  At one point, one of the characters begins to be disgusted by seeing a slaughter of Indegenous people.  But when he is attacked by them, he does not hesitate to empty his rifle at his enemy.  The characters are filled with fascinating contradications.  

There are some strong Catholic images in the beginning of the film where we set up a mediation on the nature of violence and the possibility of rising above it.

The only really strong thematic stance that he seems to have is on the need for strong, virtuous men.  The strong men who are not virtuous are villanous.  The pain and horror of the West is inflicted by these men.  But weak, virtuous men are also looked down upon by Costner.  When these men try to stand up and protect the ones for whom they have responsibility, they fail.  Costner's disgust for their weakness is evident.  The movie clearly wants to say that in a violent, fallen world, men need to be good and dangerous.  This is best exemplified in a scene with Hayes as he walks up a hill to meet with Marigold.  A stranger begins a conversation with him that seems merely annoying.  But by the end, Hayes understands that he will have to take action, perhaps deadly action to do what must be done.

All of the performances are great.  There is not a bad one in the group.  This is the best performance I have seen Worthington give, where his restrained nature works well for the character.  MacPhail also took me by suprise.  Usually young actors are rough around the edges, but she does quiet a lot with very little.  The cast rounded out by some wonderful veteran performances from Danny Huston, Michael Rooker, and Jeff Fahey.

My biggest critique of the movie is that it ends so abruptly that I didn't realize that it was ending.  The final scene moves without indication into a trailer for the next film.

I keep thinking about this movie and I am very happy that I only have to wait until August to see Part II in the cinema


Thursday, July 4, 2024

The Declaration of Independence - 248 Years Ago Today

    (most of the text below is a repost from last year)

File:Writing the Declaration of Independence 1776 cph.3g09904.jpg

Below is the entire text of the Declaration of Independence.  I believe it to be one of the most
audacious and revolutionary documents in history (pun in intended).

I have always loved my country.  But as a philosopher one of the things that I marvel 
at is that  the United States is a country built on an idea.

 Ideas matter.

Freedom is in our nature.  No tyrant, no government can take that away.

I encourage you to read the entire text below on this birthday of our nation.  Particularly, I am struck by the last line:

And for the support of this Declaration, with a firm reliance on the protection of divine Providence,  we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.

Those who wrote their names on that document held up as collateral for the investment in our freedom:

1.  Their Lives.  I am humbled when I remember that so many gave much more than I will
ever give so that people like me could live free.  The only way we can hold onto our freedom is if men and women are willing to pay the ultimate price.  Too often tyrants, both fearsome and soft-spoken, try to snatch away our freedom.  They depend on us to lay down our resistance and give in.  We must never do so.  The Founding Fathers gave us that pledge.

2.  Their Fortunes.  I will likely never see combat.  But how do I spend my money to
ensure freedom?  Do I take care of our wounded warriors?  Do I support laws and
representatives I believe in with my capital?  And do I take payments from those who
would make me dependent?  This pervasive bribery must lead inexorably to subtle slavery.

3.  Their Sacred Honor.  Do we even believe in honor anymore today?  Does our name mean anything?  In A Man for All Seasons, when asked why he would not take an oath of
loyalty to Henry VIII, Thomas More said, "When a man takes an oath, 
he’s holding his own self in his hands. Like water.  And if he 
opens his fingers then — he needn’t hope to find himself again." 
 We are free and we must stand by our commitments. 
 Otherwise who we are, our name, means nothing.  

These great men signed their names to this document. 
 For each of them it may have been a death sentence.
  But they signed it nevertheless.  They their day they
 took a stand against tyranny and stood for freedom.

In their day they stood as men.

Today they stand as giants.

And the challenge of today is this: could we stand with them?

Do we have what it takes to be the patriots at Valley Forge or the resistance at Boston Harbor?  Does that same noble spirit of freedom stir in us?

Or do we stand with those who try to tear down their memory to only have us remember their faults and failings and not the fact that they gave us the greatest nation that the world has ever known?

Perhaps reading this document again will renew and refresh the spirit of liberty.


File:United States Declaration of Independence.jpg

IN CONGRESS, July 4, 1776.
The unanimous Declaration of the thirteen united States of America,
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.--Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.
He has refused his Assent to Laws, the most wholesome and necessary for the public good.
He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.
He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.
He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public Records, for the sole purpose of fatiguing them into compliance with his measures.
He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.
He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the Legislative powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.
He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.
He has obstructed the Administration of Justice, by refusing his Assent to Laws for establishing Judiciary powers.
He has made Judges dependent on his Will alone, for the tenure of their offices, and the amount and payment of their salaries.
He has erected a multitude of New Offices, and sent hither swarms of Officers to harrass our people, and eat out their substance.
He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.
He has affected to render the Military independent of and superior to the Civil power.
He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:
For Quartering large bodies of armed troops among us:
For protecting them, by a mock Trial, from punishment for any Murders which they should commit on the Inhabitants of these States:
For cutting off our Trade with all parts of the world:
For imposing Taxes on us without our Consent:
For depriving us in many cases, of the benefits of Trial by Jury:
For transporting us beyond Seas to be tried for pretended offences
For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:
For taking away our Charters, abolishing our most valuable Laws, and altering fundamentally the Forms of our Governments:
For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.
He has abdicated Government here, by declaring us out of his Protection and waging War against us.
He has plundered our seas, ravaged our Coasts, burnt our towns, and destroyed the lives of our people.
He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation and tyranny, already begun with circumstances of Cruelty & perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.
He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.
He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.
In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.
Nor have We been wanting in attentions to our Brittish brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.
We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these United Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.

The 56 signatures on the Declaration appear in the positions indicated:

Column 1
Georgia:
   Button Gwinnett
   Lyman Hall
   George Walton
Column 2
North Carolina:
   William Hooper
   Joseph Hewes
   John Penn
South Carolina:
   Edward Rutledge
   Thomas Heyward, Jr.
   Thomas Lynch, Jr.
   Arthur Middleton
Column 3
Massachusetts:
John Hancock
Maryland:
Samuel Chase
William Paca
Thomas Stone
Charles Carroll of Carrollton
Virginia:
George Wythe
Richard Henry Lee
Thomas Jefferson
Benjamin Harrison
Thomas Nelson, Jr.
Francis Lightfoot Lee
Carter Braxton
Column 4
Pennsylvania:
   Robert Morris
   Benjamin Rush
   Benjamin Franklin
   John Morton
   George Clymer
   James Smith
   George Taylor
   James Wilson
   George Ross
Delaware:
   Caesar Rodney
   George Read
   Thomas McKean
Column 5
New York:
   William Floyd
   Philip Livingston
   Francis Lewis
   Lewis Morris
New Jersey:
   Richard Stockton
   John Witherspoon
   Francis Hopkinson
   John Hart
   Abraham Clark
Column 6
New Hampshire:
   Josiah Bartlett
   William Whipple
Massachusetts:
   Samuel Adams
   John Adams
   Robert Treat Paine
   Elbridge Gerry
Rhode Island:
   Stephen Hopkins
   William Ellery
Connecticut:
   Roger Sherman
   Samuel Huntington
   William Williams
   Oliver Wolcott
New Hampshire:
   Matthew Thornton